Esther Góes

Dara is a young Gypsy woman torn between her family’s traditions and her desire to choose her own path. Promised in marriage to Igor, her life changes when she meets Júlio Falcão online. Caught between love, the customs of her people and family conflicts, Dara must face choices that could transform her future.

The story begins with the arrival of millionaire Antônio Carlos Volpone in Brazil. After living in Cairo for 18 years, he returns to his homeland for two reasons: first, to clarify the murder of his father-in-law, Dr. Telles, of which he was accused; second, to get closer to his ex-wife Estela, now married to Orlando Aranha. The millionaire also attracts media attention, and reporter Amélia Bicudo decides to investigate his life. To mislead his enemies and move freely, Volpone uses numerous disguises: the executive Anabela Freire, the doctor Nilo Peixe, the industrialist Augusto Melo Sampaio, and the driver André Silva. With the help of his loyal secretary and friend, Mosca, he confronts his main rival, Orlando Aranha, and Renata, Orlando's sister, who holds secrets about the murder of Estela's father.

Helena and Álvaro fall in love, but she marries someone else. Years later, they meet again and Helena becomes pregnant, but keeps it a secret because Álvaro is now the one who is engaged.

"Crossed Paths" tells a history about seven friends who met in their youth at an English course meet again 25 years later; Lara, Taís, Helena, Adriana, Renée, Natália and Carol, each of them has a different personality and origin, but they share a deep affection.

An industrialist is forced to marry his daughter Rosalia to a banker to save himself from bankruptcy. But Rosalia is in love with Adriano, unaware that he is the banker's son.

Seven high school friends reunite after 20 years. Memories of the past and coincidences of the present reveal the secrets and affections that bind the women and their families.

The big shot Albert returns after three years, reuniting with his family — his parents and his sister. And he gets in touch with some acquaintances, such as his old friend Vitório and a decadent high society woman. And once again Albert, the Rockefeller gets involved with millionaires and opportunists.

Sabrina is a wealthy young woman who hides her compulsion to steal from her parents – Hilda and Fred – and also conceals the fact that she rents a room at Lola's boarding house in the Rio de Janeiro suburbs, where she pretends to be a modest young woman looking for work. The parallel plots of the story unfold through these two distinct worlds in which Sabrina lives.

The plans of the young couple Daniel and Clarice are thwarted by Vitor Lopo Jr. He orders the kidnapping of the couple's newborn daughter, Mariana, who ends up living with Pestana and Elza—a pair who have kidnapped other children as well. Among the children kidnapped by Elza and Pestana is Joãozinho, the son of Joana and Felipe Marinho. The plot takes major unexpected turns.

While the distant kingdom of Belaventura was preparing to choose his new King between Otoniel and Severoo, two men full of ambition, Pietra a poor peasant, and Enrico, rich and future heir to the throne, met for the first time and awakened a beautiful and impossible passion. However, 15 years after the separation that fate has given them, the prince and the plebeian will eventually find each other again to fight together for the future of all their people.

O Direito de Nascer is a Brazilian telenovela produced by JPO Produções and broadcast by SBT from May 21 to October 2, 2001. Based on the Cuban radio serial El Derecho de Nacer (1940), written by Félix B. Caignet, it was adapted by Aziz Bajur, with collaboration from Jayme Camargo and Alcione Carvalho. Directed by Roberto Talma and José Paulo Vallone, the telenovela stars Guilhermina Guinle, João Vitti, Dhu Moraes, Jorge Pontual, Ana Cecília Costa, Luiz Guilherme, Elaine Cristina, and Esther Góes. Set in Havana at the beginning of the 20th century, the story follows Maria Helena, a young woman who becomes pregnant after being abandoned by her fiancé. Afraid of her powerful father's reaction, she gives birth in secret and entrusts her son to the maid Dolores. Raised away from his family, Alberto grows up to become a doctor, unaware of his true origins. Years later, the revelation of his past brings conflicts, forgiveness, and the chance for reconciliation.

Antônio is on his deathbed after helping a Black man escape his own father's plantation. Before dying, Antônio asks his father, Judge Queiroz Antunes, to raise the young enslaved boy, Bento, as his own son.

Raised in a conservative home, Engraçadinha challenges taboos and forbidden passions over two decades. Between desires, guilt and secrets, she lives intensely her loves and her sins.

It tells the story of young people who dream of a modeling career and the rise of their lives. It all starts when the Sex Appeal agency, led by Edgar and Cecilia, runs a contest that will award the winner two hundred thousand dollars and the possibility of living abroad. The main competitors are Angel, Vilma, Eva and Claudinha. They will do anything to earn, even things they would never imagine doing.

The miniseries tells the story of Leninha, who marries Paulo due to a financial agreement made by her father, Dílson. Her life changes when she meets her brother-in-law, Mauricio, during a trip to her husband's farm in the interior of Rio de Janeiro. The two fall in love and become lovers. Leninha then begins to experience a great conflict: social and moral rules impose on her the behavior of a good wife, faithful and companion, but her desire for Maurício speaks louder. Consuelo, mother of Paulo and Maurício, realizes what is happening and begins to antagonize her daughter-in-law. Upon discovering the betrayal, Paulo starts to hate his brother. At the end of the plot, Leninha decides to stay with her husband, and the couple happily announces that they will have a child. Mauricio despairs, but later recovers in Regina's arms.

In 13 episodes, the series of fiction "Family Issues" portrays the life of Peter, a family court judge that you will find that there is a very common routine. He has a troubled past - his mother still abandoned child - and still carries family problems as his brother's fight to get rid of drugs and hospitalization of the father who is dying. While Peter faces its own family dilemmas, see passing before him in the courtroom, complex family dilemmas: ex-spouses who strive for material goods or custody, children rejected and unrecognized and other surrounding cases. Intoxicated by a need to do justice, Peter develops out of court and investigative dark side that puts you at risk.

A famous actor believes he has totally mastered his craft. A young and talented actress is open to new challenges. They meet, and confront each other; on, and off the stage. From his personal and artistic lethargy, he sees the possibilities of a new beginning, new opportunities, after starting to see her. The story unravels, as the title states, "behind the curtain."

A group of friends working on an offshore oil rig maintain close bounds and do their best to face the difficulties presented by living and working isolated out in the middle of the sea. A job promotion triggers events that disrupt, in an irreversible way, the group friendship and the protagonist’s own life on land. He is tested by the force of destiny and experiences the drama of an ordinary man facing a gradual process of isolation.

The true story of Tancredo Neves, the first civilian president of Brazil after a 20-year military dictatorship, and the infamous hospitalization which led to his death before he ever managed to take office.

Filming of the historical montage of Oswald de Andrade's play, where decadent millionaires, depraved children, corrupt and implacable capitalists are the characters interpreted by the Grupo Oficina, in a celebrated theatrical performance from 1967, fundamentally recorded in 1971 and released only in the 1980s.

An intriguing case lands on Mandrake's desk. Just when he thinks he has it solved, some unexpected news changes the course of events.

Hunting Season deals with the wave of homosexual murders that plagued São Paulo and Rio de Janeiro in the 1980s. With street statements and cultural and artistic figures such, such as Zé Celso, Jorge Mautner, Roberto Piva and others.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

A TV reporter tries to find out who is killing prostitutes in a São Paulo neighbourhood.

During the military dictatorship in Brazil, Lorena, Lia and Ana Clara, three university students of different social backgrounds and origins meet at a nun's pension in São Paulo. Besides their differences, they become close friends, sharing their dramas and dreams, helping each other until the day they have to separate permanently.

A young rock singer meets his childhood heroine, a famous singer who is now wallowing in alcohol and sex.

Eternamente Pagu is a biographical film about Patrícia Galvão, best known as Pagu, a Brazilian political, literary and artistic activist. An important figure of the Brazilian Modernism, Pagu was also a militant for the Brazilian Communist Party after she married writer Oswald de Andrade. She broke up with Andrade and, as a journalist was arrested by the Dictatorship of Getúlio Vargas. After she left prison, she abandoned Communism in favor of Trotskyist Socialism, married Geraldo Ferraz, and started a career as theatre director.

Theater director asks his actors for a research on human cruelty and misery in Brazil, while trying to raise funds for his next production, a play based on a story by Machado de Assis, "A Causa Secreta" (The Secret Cause). The troupe oblige and go around town witnessing long lines in National Health Services, inhuman conditions in public hospitals and poor people being constantly humiliated. They find people are becoming indifferent to human suffering.