Miguel Abrantes Ostrowski

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

SOKO 5113 is a long-running German police procedural television series. It was first aired in 1978 on 2 January. SOKO is an abbreviation of the term "Sonderkommission" in German.

A team of inspectors investigates murders in and around the small Upper Bavarian town of Rosenheim, and they still have plenty of time to see idyllic landscapes and luxurious pre-alpine villas and enjoy sumptuous Bavarian fare with beer.

German soap opera about the staff of the fictional hospital "Sachsenklinik" in the city of Leipzig.

The spin-off to the original series 'In aller Freundschaft' focuses on the young doctors in a fictional clinic in Erfurt. In this emotional drama series, hospital staffers and patients navigate life's challenges.

A show about two Bavarian police officers, Franz Hubert and Johannes Staller, who sometimes work a bit differently. Where Franz wants to follow regulations, Johannes likes to do things his own way.

Chief Inspector Benedikt Beissl, who lives in Berchtesgaden with his wife Elisabeth and their three daughters Maria, Johanna and Eva, has been keeping order in Berchtesgaden for decades. To his displeasure, one day he is assigned a new colleague. Until now, the lone inspector has been content to do his work alone.

Chief Inspector Schaller and his team solve the most unusual cases in beautiful Munich with wit and charm.

During the 1972 Munich Olympics, an American sports broadcasting crew finds itself thrust into covering the hostage crisis involving Israeli athletes.

When 22-year-old Rainer Werner Fassbinder storms the stage of a small, progressive theatre in Munich 1967, and seizes the production without further ado, nobody suspects this brazen young rebel to become one of the most important post-war German filmmakers. Despite early setbacks, many of his films breakout at the most renowned films festivals and polarise audience, critics and filmmakers alike. His radical views and self-exploitation, as well as his longing for love, have made him one of the most fascinating film directors of this time.

It's his last chance to get back on his feet. And so Philipp Keyser knows no scruples as he approaches the young painter Alma, to find a lost painting, which is in the possession of a mysterious old man. Too late, Philip is clear that he expires more and more the young woman. In the main roles of Dominik Graf's film "In the evening of all days" Friedrich Mücke and the great theater actor and narrator Ernst Jacobi are to be experienced.

Harald eagerly anticipates the wedding of his only daughter. His biggest problem is his belief that his deceased wife lives on in a mannequin, which he wants to bring to the wedding celebration.

Jojo, a young art student, discovers the microcosm of an art academy with all of its opportunities and contradictions.

A depressed entertainer wants to conquer the stages of the world. He has only one problem: no one knows him. His ambitious sister wants to change that. She organizes a film crew to record his glamorous rise, but instead deep abysses reveal themselves behind the facade.

Christine Keller, successful at work, but still single, has a burning desire for a child. However, the search for the right father gave her up in frustration. She would like to have a child without a husband - but where does she get a grower from? Isa, her best friend from youth days, would love to help and has a tricky idea: Fabian, Isa's partner, should be "loaned" to the girlfriend - and may not notice. But the not quite everyday friendship service has unimaginable consequences.

“Underrath Stays!” demand the residents who have barricaded themselves inside Camilla’s village pub. Andreas, the cynical representative of the lignite mining corporation, makes one final attempt to hand out the contracts and remove the people of Underrath without conflict. But before a single pen can touch the paper, the pub door swings open and a mysterious cowboy steps into the room.

Nina and Karl are a perfectly normal, crazy couple. They can't live with or without each other. But suddenly, Nina can no longer stand the routine and decides to run away. She wants to be somebody else, though not (yet) an adult. The unfamiliar loneliness also affects Karl. Nina, meanwhile, doesn't seem to be able to get rid of Karl quite so easily.