Chico Tenreiro

Is it possible that in a world ruled by appearance, there is room for loyalty, ethics, true love, honesty and solidarity? Is it possible, today, when unrelenting consumption is a way of life, to find someone who equates more value to being rather than having? Cobras & Lagartos is an urban tragic comedy, modern and humanist, that deals with two increasingly different worlds: one which values loyalty and solidarity and the other, where the seduction of superfluity and the power of money reign.

Ana and Zeca have a happy marriage, but they can't have children. To fulfill their dream, the couple hires the young Clara as a surrogate mother, which leads them into a legal dispute.

Twin sisters with contrasting personalities, Ruth and Raquel, rival in the fictional Pontal D'Areia, on the coast of Rio de Janeiro.

Jocasta, an 18-year-old sociology student and daughter of communist activist Túlio Silveira, is actively involved in the country's political landscape. She is in love with Laio—her polar opposite—a disengaged, esoteric young man who lives off his wealthy father's allowance. A mystic, Laio makes no move without consulting his guru and friend Argemiro, whom he turns to upon learning of Jocasta's pregnancy. The cowrie shell reading reveals that his son is destined to kill him and enter into a romantic relationship with his mother. Terrified, Laio disappears with the child immediately after birth, aided by Argemiro—who loves Laio and loathes Jocasta. Twenty-five years later, Jocasta is a successful yet restless woman searching for her missing son. She is estranged from Laio, who has spent recent years expanding his father's fortune through involvement in underground gambling. On a highway, he encounters Oedipus, unaware that the young man is his son.

Cousins ​​Charlô and Otávio once had a romance, but today they detest each other. However, fate plays a trick on them: they will receive a large inheritance, on the condition that they live together.

After an unjust imprisonment, friends return to the town of Remanso, facing betrayals and lost loves, while battling a corrupt lawyer.

Imagine a strong and tender hearted woman, a confused man and a villain capable of everything to get money. We have the perfect love triangle to a classic love story.

Facing a financial crisis, Guilherme receives an ultimatum: he must pay his overdue rent within 24 hours or face eviction from the Copacabana apartment—located in Rio de Janeiro's South Zone—where he lives with his family: his wife Joana, his children Kika, Beto, and Tatá, and his father Olavo. Left with no other option, they move into a large house in São Cristóvão (in the North Zone) lent to them by Joaquim, a Portuguese friend. The family struggles to adapt to the suburban neighborhood and cope with their lack of money. To overcome the crisis, Guilherme becomes a partner in Joaquim's auto repair shop.

Dias Gomes and Marcílio Moraes' version of the soap opera of the same name by Janete Clair shown in 1970, Irmãos Coragem features as central characters João, Jerônimo and Duda, three brothers who threaten the dominance of the powerful farmer Pedro Barros, the highest authority in the fictional Coroado, in the interior of Minas Gerais, where the story is set.

Brazilian comedy about two couples living next to each other in the same building. This show explores the antics between the two couples.

Millionaire Frederico Berger grapples with the trauma of a tragedy. The arrival of his housekeeper, Flávia Cristina, unjustly accused of a crime, transforms everyone's lives.

Antônio is on his deathbed after helping a Black man escape his own father's plantation. Before dying, Antônio asks his father, Judge Queiroz Antunes, to raise the young enslaved boy, Bento, as his own son.

The turmoils of a messy entertainment television host, his production team, and his dysfunctional family.

"The Cariocas", a series in ten stand-alone episodes, tells the story of ten modern-day women against the beautiful backdrop of Rio de Janeiro and its stunning urban landscapes. Our protagonists are uninhibited, adulterous, vindictive, suicidal, envious, brides, betrayed, deluded. Women with distinct beauty and quaint peculiarities, each one has a particular way of life.

Diana is woman who lost her child for her Husband. A evil man behind a series of crime operations. Searching for her son, Diana is hired for a underground organization to fight crimes all over Brazil. Now, Diana has the meanings to locate her former husband and search for her son.

Determined to secure the release of her father—imprisoned for advocating communism—Sílvia travels to Rio de Janeiro, where she finds work as a chorus girl at the Cassino da Urca. There, she meets and falls in love with a croupier named Tide. Sílvia becomes a celebrated beauty of Rio's nightlife but is blackmailed by a Nazi named Jofre; he promises to help free her father if she marries Michael, an Englishman from whom Jofre intends to steal a map to a uranium mine.

The old servant and chronicler Dom Sabas tells how his desolate South American town is the scene of a ruthless power struggle. The landowning Assis family, reduced to a widow and son, tries to hold out against the young, despotic mayor. No less effective then actions are anonymous rumors and accusations, which often stir the inhabitants' moves.

Tereza tries to leave her past and forge her own destiny and happiness by going through several affairs.