Victor Deiß

Marco and Melanie, a young married couple, are living a life of passion, chaos, and all the little frustrations of everyday existence. Their love for each other seems like a beacon on heavy seas. But career pressure, burned toast, and dirty laundry are eroding all tenderness, and they never seem to find enough time for their six-year-old son, Benny, either. Their world is about to fall apart when Melanie moves out, taking Benny with her. She files for divorce, and Marco makes a decision that is not only going to change his own life. He suddenly discovers his own unique way of being a father … I’m the Father is a modern portrait of a generation which appears to fail its own ambitions: After all, how do you combine a job, children, love and all the other challenges of everyday life – without giving yourself up in the process? And then what happens when positions become entrenched and a divorce seems inevitable?

Frank Drannemann, a passionate star chef and single father, is in a professional and private crisis. Since the tragic accidental death of his beloved wife, the soul of the gourmet restaurant "La Vie", business has been bad. Daughter Franzi, handicapped by a stiff knee joint since the accident, doesn't let anyone get near her. The little son Michael also feels neglected, because Frank mainly concentrates on cooking. When preparing his famous lobster or seasoning one of his irresistible sauces, the gourmet chef is in his element. But Frank has lost sight of reality: Since the friendly reception from Frank's wife has been missing, far too few guests appreciate his exquisite cuisine, and so "La Vie" is on the verge of bankruptcy.

After the sudden accidental death of her husband, Ursula blossoms, takes over the business of the deceased and goes out again.

Two young and attractive social workers/nuns bring fresh air into a city missionary station, but are also challenged by lust and money, offered by a millionaire.

The mother of a murdered hitchhiker meets the offender.

Hitler's seizure of power in 1933 and his rule in the years that followed are transferred to the North American criminal world of the 1930s in a parable. Gangster boss Ui needs the protection of the ruling class to achieve his goals and offers his help to their representatives. They initially hesitate, but join forces after Ui violently gains their respect. His victory is perfect and the people fall silent before the revolvers of their "protectors". Ui takes the raised hands as a sign of approval... Bertolt Brecht wrote the play in 1941 in a Finnish asylum - the premiere only took place in Stuttgart after his death in November 1958. It has been staged at the Berliner Ensemble since 1959 - Ekkehard Schall has played Ui over 500 times since then. On January 13, 1974, the play was shown for the last time, recorded in color by GDR television.

Johann Paul Schroth is a 20-year-old barber's apprentice who breaks out of the barber-surgeon's trade. Schroth wants to realize his dream, which is to put aside the beard knife and use the scalpel in such a way that people are healed and not tortured...

Johann Wolfgang von Goethe (1749-1832) was the author of Werther, the romantic novel that was transformed into a play during Goethe's lifetime and which initiated the whole German romantic movement. The book's story tells of young love and suicide. In this East German film, based on a book by Thomas Mann, Lotte (Lilli Palmer) was the woman who served as the model for the heroine in the novel Werther. She comes to Goethe's hometown for a visit, and her experiences there eerily re-create episodes from the book. Goethe comes across as a pompous old bore, and his friends as pandering sycophants, in this very proper communist party-sponsored, anti-heroic movie.

Weeks after the victory in Vietnam, first pictures of a new humanity are captured: old and sick people preparing for their future, children on their way to school.

In medieval Germany, poor and witty Till Eulenspiegel fools and cheats citizens, churchmen, and landlords. Although in most cases he uses his wit for personal well-being, he often helps the poor and weak. Eventually, he gains an influential but also dangerous position as royal fool at the court of the emperor.

Elias, born at the end of the war, receives an anonymous phone call on his 47th birthday: his parents are dead. He is now a successful politician, but thirty years ago he had fled from his home and parents in the East to seek a new life in the West. The return to his parental home causes Elias a sense of unease and disturbs the rigid order and complacency of his life.

A communist is released from prison in 1935 Hamburg. He tries to link up with the Party again, but is unsure as to who he can trust, and has difficulty adjusting to life in Nazi Germany.

Outside Time is the second feature film of Andreas Kleinert, a German director who grew up in the GDR and who started making films at the time of the fall of the Wall. The film is set in a small town somewhere in Brandenburg, a place which is rapidly falling "outside time"; since it cannot keep pace with the changes brought about by unification and the transformation of the former GDR. The Russian troops stationed there have withdrawn and their barracks have turned into rat-infested ruins; the intercity trains do not stop there any more and even the regional railway link to Berlin is going to be suspended. Most young people are leaving. When Sophie introduces her lover to her mother and her brother, Sergej becomes embroiled in the incestuous tensions underlying the relationship between Sophie, her brother, Georg, and her mother. The arrival of the Russian implodes the claustrophobic sham existence that held this dysfunctional family together.

Hannes Peters is delighted that he can escape his unloved job as a chef and join the navy. He is overjoyed to be assigned as a hydroacoustician. But then the cook falls ill and Hannes is transferred to the galley. He resists, serves inedible dumplings and oversalted coffee, but it doesn't help! For a while, he has to do his duty as a smutje and finally realizes that everyone in the navy is in the same boat.

The chemist Tomschläger uses his friend Kirchhoff to conduct dirty business.

Every hundred years, the Petermännchen has the chance to be released from his enchantment. This time everything seems to go well. The story tells how he manages to free a wrongly suspected servant from prison and expose a member of the court household as a thief. However, the Petermännchen remains condemned to continue his mischief as a household ghost. Based on a legend from Mecklenburg.

Franz Xavier Stannebein, a young boy at the turn of the 20th century, wants to do nothing more than fly. He carries this dream through his years at an orphanage and into adulthood as a merchant in Spain. He eventually invests everything he has into building his own version of an airship. He later meets some industrialists in Germany who want to support his idea, and they ask him to build an airfield in Spain. When he sees the Nazis use the field during the Spanish Civil War, however, he feels betrayed and goes to Germany to protest. There he is thrown into an insane asylum in Leipzig. After WWII, his grandson and other survivors of the family searches for him, only to find the empty asylum... Based on the novel Das Luft-Schiff. Biografische Nachlasse zu den Fantasien meines Grossvaters (1974) by Fritz Rudolf Fries. The non-camera animation in the film was created by internationally known director Lutz Dammbeck.

The movie tells a true story in the life of well-known German actor Manfred Krug. Living in the German Democratic Republic he is forced to leave the country after protesting against the expatriation of singer/songwriter Wolf Biermann in 1976.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Wolffs Revier is a German television series.

Der Staatsanwalt hat das Wort was an East German television series.

She is called Dona Juanita: the attractive young architect Anita Nachtigall, who manages a department on a large construction site with great success. She is said to have had many affairs and, so it is said, the death of a certain Sawallish. The evil afterspeech puts Anita so that she announces her place. But a young safety inspector on the job site doesn't want her to leave. He cares what really happened...

A man who has just become unemployed kills his closest relatives before he judges himself. Commissioner Schimanski determined.