Emilie Neumeister

Murder of 18-year-old brings two investigators together for the first time. A piece of evidence leads to a missing person case four years ago. Investigations were led by Irene Gaup, with old and new questions arising.

The 18-year-old Jona tries to hold his family together—consisting of his self-harming sister and overwhelmed mother—while grappling with his responsibility in this dynamic and his own right to vulnerability.

In love with a girl that smells of oranges while in a complicated relationship with his father, Darek is gentle, strong and devoted to his little sister and their herd of horses. Darek's world is a story about the joy and pain of growing up in the isolated yet beautiful Lusatian Mountains. Here, horses are not expensive specimens of racing stables but beings you should care for and love. Not even that is enough in life though, as Darek finds out nearing the Summer's end, closing his childhood definitely. However, just like any ending, this is a start of something new.

Anna Grawe is the right-hand woman of Bea Kober, a member of the Bundestag. When she learns that the public prosecutor's office is investigating her boss, she becomes suspicious. The connection to oligarch Parygin makes everything even more complicated. What Anna doesn't realize is that her daughter Larissa had an affair with Parygin.

Sandra, a pub landlady, meets Otis, a travel agent. The two initially clash as they learn more about each other from overheard phone calls than they would like. But they get talking, discover an amazing affinity and find each other to be valuable love advisors for their personal relationship problems. When Sandra's husband Christian meets Otis' best friend Bill by chance one day, the emotional chaos is perfect.

Agnes and Gregor have had a happy marriage for 15 years. No crises, no affairs, no weariness. They looked for each other and found each other, say their friends Conny and Bernhard, who fight a lot and often. If a marriage is harmonious, it is this one. However, when Agnes became socially involved in addition to her job, the distribution of roles in the family, which had worked well for years, was thrown out of balance. The change in their relationship leads Agnes and Gregor into their first major crisis, which neither of them can deal with. They are shocked to find that they are about to lose love.

Sophie Brand is overwhelmed: as a single mother with two jobs no wonder. A mountain of unpaid traffic tickets takes her to the judge, who buzzes her 300 social hours in a home for the disabled. In addition, he puts her on his own brother: Georg, a dreaded patient in the home, who sits in a wheelchair since an accident and only bitterness for his environment left. But Sophie can not rausekeln. So it happens that something special develops out of initial antipathy: trust, friendship, love. The emotional tragicomedy knows how to implement a supposed taboo subject sensitively.

When a single phone call is the difference between life and death: Jan May holds five hostages captive in a radio studio and plays a perfidious game of amok with them every hour. If a caller answers with the wrong slogan, a hostage is killed. Criminal psychologist Ira tries to stop the hostage-taker from killing and to meet his demands. But what nobody suspects is that Jan seems to have a personal connection to the psychologist...

It's the summer of 1990, two teenagers in Germany fall in love - an innocent first love, shortly before the German reunification. Katja (16) is from West-Berlin, Thorben (17) from GDR. Their families are fighting over a house in Kleinmachnow (a suburb of East-Berlin), where Thorbens family has been living since the 70ies, but where Katjas father grew up. The family had to emigrate to West-Berlin in 1961, just before the Berlin Wall was built. Later, the house was dispossessed under GDR-rule. Now, Katjas father demands restitution. The conflict grows bitterer and threatens to tear apart both families. It is about old wounds and new prejudices. While being in the middle of Germanys swiftly progressing process of reunification, Katja and Thorben have to fight for their love.

Katrin can only dream of a happy family. Because the patchwork constellation with several involuntarily connected families puts their nerves to the test. To kitten the fragile relationship with her 14-year-old daughter Saskia, she has invited all family members to their confirmation. But Saskia has recently moved to her father and his new family, while the son of Katrins new partner Philipp has moved in with them and since then devastated Saskia's room and Katrins life. It is impossible to think of a harmonious everyday life, let alone a peaceful family celebration.

Roger has his own clear world. He loves his apartment. Roger works as a janitor in a house about to be demolished. Leftover GDR supporters, failed geniuses, artistic neo-Nazis live there.

Everything could be so nice between Katrin and Philip, if it were not the love (patchwork) family! Philipp surprises Katrin with a marriage proposal. But the disappointment of her last marriage has not yet been overcome. And promptly, the events turn over. Julia, her ex-husband's new wife, moves in with her unasked and with children. Not only her pointed-tongued ex-mother-in-law Diana, but also Katrin's own mother Renate, come to help. When Philipp takes her by surprise with a spontaneous surprise wedding, Katrin bursts the collar. A marriage now seems a long way off.

Katrin Wiedemann is on the verge of becoming a school principal. All she has to do is give birth to her third child and then she can start immediately after maternity leave. Katrin has no doubt that, as an experienced mother, she can juggle her child and her career. Especially because her husband Philipp has promised to take all of her parental leave. Unfortunately, the school administration has a different opinion and, after the turbulent birth of little Isalie, asks Philipp of all people to take over as headmaster for the time being. In the mistaken belief that he is doing Katrin a favor, he agrees.

Beatrice lives with her husband Jonas and their two daughters seemingly idyllic in the countryside. But family life is clouded by their constant self-doubt and the feeling of not being loved. Fearing to lose her family, Beatrice almost destroys her - but is eventually caught by Jonas. A melancholic, sensual narrative about the decay and resurrection of a woman.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

The spin-off to the original series 'In aller Freundschaft' focuses on the young doctors in a fictional clinic in Erfurt. In this emotional drama series, hospital staffers and patients navigate life's challenges.

Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film. Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.

Howard Silk is a lowly cog in a bureaucratic UN agency who is turning the last corner of a life filled with regret when he discovers the agency he works for is guarding a secret: a crossing to a parallel dimension.

Crime lurks in the Saarland. Thankfully, Detective Judith Mohn and her colleague Freddy are always on hand to apprehend criminals of every kind. In their first case, the murder of a prostitute leads them into the trucking world.