Mehri Vadadian

In one of his daily wanderings, Ghasem Siah, a young jobless guy who leads a street life, runs into a young American tourist girl who is spending her last day in Tehran. Without understanding each other's words, they strike up a friendship and the girl accepts to sleep with him. But Ghasem doesn't have a place of his own and the girl is about to depart by the next morning. Together they set off on the glistening yet hostile streets of modernizing Tehran of the 70s, in a futile search of a corner of intimacy, while time is ticking away....

A truck is moving from the south to Tehran. On the way, during an accident, a fugitive passenger secretly gets into the truck...

Lili is a young medical student who lives a normal life with her mother until one night that being raped changes Lili's life.

Hajji Hossein-Gholi Noori (Haji Baba) goes to Washington D.C. as the first Iranian (Persian) ambassador to the United States of America. After he opens the embassy, he is unable to invite statesmen to visit him. Haji fires the embassy staff due to the inability of the Persian government to meet the embassy's needs. One night he is visited by President Grover Cleveland.

Ghalandar feels bothered by the suitors wooing for his sister Eshrat. But for a secret reason he does not want to marry her off. As a way out, he asks his trusted friend Sadegh to marry his sister, but warns him about making love with her. Sadegh tries to keep his promise, but when he leaves his wife immediately after the wedding ceremony for the capital, Eshrat follows and joins him and his mother. Unable to bear with the taunts of mother, Sadegh eventually breaks his oath and takes his legal wife to bed. Informed of this betrayal, Ghalandar waylays Sadegh at a dark night and stabs him to death. Eshrat, suspecting who is behind this murder, flees and joins a whorehouse, intent to exact her revenge by staining the name of his so-far respectable brother...

Parvin meets a young man named Jalal Agha-Balakhan on the street and takes him to his friend Azar's birthday party. Jalal, who is a mechanic, introduces himself as a engineer Omidvar. Parvin also pretends that his father is a police colonel. Azar is also interested in Jalal; But soon Bahram, Azar's friend, seeing Jalal in the mechanical workshop, doubts Jalal's job and social status and discusses the matter with Azar and Parvin.

A capricious man who is suspicious of his wife spells her out of the house with her little son Nemat who is a cripple. The boy grows up while working in various jobs from selling oil in

A man decides to sell the old family house to move into a modern apartment in the suburbs, and at the same time decides to send his father to a nursing home.

Well-educated and humble teacher Mr Hekmati arrives in a new city and at a new job in the pre-revolutionary Iran. He falls in love with a hardworking underprivileged young woman who nurses her elderly mother and raises her young brother.

Akbar, after completing his period of exile, goes to Tehran to attend the wedding ceremony of his brother Habib and Maryam. But when he arrives, he finds that a mourning chamber has been set up for his brother instead.

A man from a respectable and rich family is fascinated by a derelict woman. He intends to marry her, and despite his family’s disagreement, he does it. But the former lover of the girl remains intrusive, until she kills him to defend herself. She becomes imprisoned, but after being released from the prison, the family of her husband finally accept her.

Reza Haft-Khat and his friend Mamal live by gambling and extortion. Reza pretends to be proficient in business affairs and in this way he meets Aghdas, Mirza's daughter, and promises to marry her.

A man divorces his wife by having two children. She is an accounting officer and is now unemployed.

This film, based on a well-known novel of the same name by Sadegh Chooback, is about a wronged man seeking revenge. Director Amir Naderi's inspiration for making the film was one of his childhood heroes, the legendary Zar Mohammad, who waged a one-man war against four swindlers and provoked wide spread popular sentiment against tyranny.

A family man falls in love with a widow, only to ruin his reputation and lose his wealth.

Mahdi (Morteza Aghili), who has a poor life with her mother (Mehri Vedadian) and her father Ous Hussein (Abbas Nazeri), is introduced to a wealthy girl named Gul (Alicen Vigen) whose father Hesam Khan (Kheshayar) has left her And he warns against Mahdi.

Khanom Bozorg wants to give her necklace to her grand daughter Reihan but her son and her expelled daughter Nimtaj are after it. They send two thieves to steal it from Reihan.

Hezar-Dastan was an Iranian epic historical drama television series from 1987, developed and directed by Ali Hatami. Hezar Dastan is considered one of the most important and most influential works of art in the history of Islamic Republic of Iran Broadcasting. The production of the show took almost 8 years, starting in 1979 and ending in 1987, during which Hatami established a large set to represent Tehran in both Qajar dynasty and World War II, retroactively creating Iran's first movie studio and backlot (named Ghazali Cinema Town). The show tells the story of Reza Khoshnevis (also known as Reza Tofangchi), and his life and entanglement with corruption in government, and trying to correct it using not conventional means. The story is split into two section and it features Iran during the turbulent times of the latter days of Qajar Dynasty and during the events of World War II and Anglo-Soviet invasion of Iran.

An uproarious adoption of a popular novel by Iraj Pezeshkzad set in and around the family compound in early 1940s Tehran, marvelously rich in personality and incident. The title character, so-called because of his constant invocation of the general, rules over a wonderfully complex extended family. A hilarious series which makes fun of just about everything.

Two brothers named "Mohsen" (played by Mehran Modiri) and "Amir" (played by Abdolreza Akbari) are the heirs of their father "Hajnaib"'s garden; but their differences of taste over how to use this garden bring them face to face.