Katja Weilandt

Anyone can hold a mini-DV camera. Anyone can get 99 euros in credit. And everyone has already written a five-minute story in school. So everyone is actually prepared to make a 99euro-film. but "99euro-films" is more. It is the proof that German films can also be wild, new, modern, funny, political and entertaining. And all that in 80 minutes. 12 young German filmmakers come together, inspire exciting young actors and go: have an idea and simply film it. Just do it and be independent.

Charo seems like a typical Berlin teenager. She's a student surrounded by good friends and has her eye on the coolest guy in school. But no one knows that Charo has been living in Germany illegally for years, not even her best friend Laura. Problems start to arise when Charo's mother is caught by the police and wants to take Charo back to Columbia. Charo now needs to trust Laura with her secret because it's the only way she'll be able to fight for her future in Germany.

Saniye is offered a career advancement by her boss as a wedding present. But instead of being happy, the previously modern young woman suddenly feels the need to become a mother. Her fiancé Tom is not enthusiastic about Saniye's reproductive instinct. The two of them suddenly embark on a fatal journey into the all-promising, passionless world of fertility medicine, with their relationship falling by the wayside.

1928: Lyovuschka, a Soviet worker, is cast in the role of Trotsky for Eisenstein‘s latest film, but quickly finds his dreams of an actor‘s life shattered when Trotsky falls into Stalin‘s disfavor. Exiled from his homeland, he poses as a wealthy baron and finds himself stuck in a glamorous seaside resort in Germany awaiting a barge that will take him to Hollywood. A summer romance kicks off when he meets the eccentric factory owner Octavia Flambow-Jansen - it's just too bad there are vampires around.

Three young Georgians have to clean a castle in Berlin, where a German arms manufacturer's art collection is being set up for an exhibition. Of course, the proletariat isn't welcome at the opening party and they are banished to a servants' room in the attic. Downstairs, however, a splendid buffet attracts them - so why not just ignore the unfair prohibition and cross the line of class society? Didn't the French Revolution start over a piece of cake?

Three women stage scenes for a philosophical film they are shooting.

Three actors - Lizzy, Marlon, and Ohboy - navigate city life between rehearsals, nightlife, and alienation. Marlon, new to town, struggles with his role and babysitting. Lizzy chases fame yet finds only transactional glamour in a club. Ohboy, adept yet trapped, drifts comically through urban traps. Linked by rehearsals for “City as Prey,” three episodes chronicle loneliness, friendship, and survival.

Berlin, a summer in the age of neoliberalism: the spectre of the soviet avant-garde is haunting the city. A young Georgian contract-worker is surprised to find the ghost of the Russian revolutionary poet Vladimir Mayakovsky in his kitchen. At the same time, his friend Kasimir inherits a big fortune, but what shall he do with all this money? Framed by a travel through time leading to Flaubert's 19th Century und the shooting of a revisionist melodrama for German television, the film follows the adventures of these three characters in contemporary Berlin. A suprematist digital comedy about the transmission of emancipatory energies.

A movie about the differences between girls and boys.

After unexpectedly finding a connection in the waiting room of an assisted-suicide clinic, Mallory and Drystan are left with a choice: do they stay or do they go?

Polizeiruf 110 is a long-running German language detective television series. The first episode was broadcast 27 June 1971 in the German Democratic Republic, and after the dissolution of Fernsehen der DDR the series was picked up by ARD. It was originally created as a counterpart to the West German series Tatort, and quickly became a public favorite.

Der Kriminalist is a German television series produced by Monaco Film Hamburg, subsidiary of Odeon Film. Directors during the first season were Sherry Hormann and Torsten C. Fischer, during the second: Thomas Jahn, Jobst Oetzmann and Torsten C. Fischer.