Célia Helena

Jocasta, an 18-year-old sociology student and daughter of communist activist Túlio Silveira, is actively involved in the country's political landscape. She is in love with Laio—her polar opposite—a disengaged, esoteric young man who lives off his wealthy father's allowance. A mystic, Laio makes no move without consulting his guru and friend Argemiro, whom he turns to upon learning of Jocasta's pregnancy. The cowrie shell reading reveals that his son is destined to kill him and enter into a romantic relationship with his mother. Terrified, Laio disappears with the child immediately after birth, aided by Argemiro—who loves Laio and loathes Jocasta. Twenty-five years later, Jocasta is a successful yet restless woman searching for her missing son. She is estranged from Laio, who has spent recent years expanding his father's fortune through involvement in underground gambling. On a highway, he encounters Oedipus, unaware that the young man is his son.

An industrialist is forced to marry his daughter Rosalia to a banker to save himself from bankruptcy. But Rosalia is in love with Adriano, unaware that he is the banker's son.

In 1889, a conflict arose between the decadent and ruined rural aristocracy following the liberation of slaves and a new class of wealthy individuals, comprised of entrepreneurs emerging from the republican industrial class, interested in free labor. In the city of Ouro Negro, in the interior of São Paulo state, the conservative, aristocratic, and monarchist Almeida Santos family, which traditionally dominated the region, began to lose ground to the Lobo Ferraz family, representing the nascent progressive and republican bourgeoisie.

Tired of her boring husband, secretary Cordélia finds refuge in a love affair with her boss and afterwards, believes she has found true love in the person of a car salesman.

Four couples go to a country seat. One of the girls is still a virgin, and his boyfriend proposes a game which changes the group behavior.

Armando, a single high-school teacher living a steady life, sees his world crumbles when he falls in love with Laura, the ex-girlfriend of one of his favorite students.

Eleven small stories, loving chronicles about Rio de Janeiro and its people, written by some of the best Brazilian writers of the time.

Financial problems in a religious school for girls force the government to interfere. While waiting in the conference hall to communicate the fact to the school administrators, the intervenor falls asleep and a crazy dream begins, involving teachers, students and strange characters.

A story of love and power on a farm in the interior of São Paulo. The plot focuses on the conflict between a small farmer and a powerful industry, which has an interest in his property.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

Based on the novel "Totônio Pacheco", written by João Alphonsus. At the time of the decadence of the great farms of Minas Gerais, Totônio is a symbol of the golden age of state farms: old and accustomed to having all his wills obeyed. However, after moving to his son's home because of his wife's death and the resulting loneliness, he realizes that he has lost his job as a boss and is struggling to regain his prestige by moving to a brothel.