Abrahão Farc

After losing her job, an unstable woman sinks further and further into a violent fantasy world.

A boy is left alone in a Jewish neighborhood in the year of 1970, where both world cup and dictatorship happen in Brazil.

Theo is living the good life in an upscale Brazilian neighborhood. He’s a hardworking doctor, husband, and father. However, Theo has chosen his career over his family, and little by little he discovers that his world is crumbling around him. His beloved mentor and surrogate father is dying, and his wife announces that she wants a divorce. Yet nothing prepares him for the day when he comes home to discover that his 15-year-old son, Pedro, has disappeared. Theo takes to the road in search of his son. In a journey that leads him throughout Brazil, Theo discovers what really matters to him. Searching for his missing son, Theo finds himself.

Antônio Nunes is sentenced to 30 years in jail, after having killed a woman, and becomes known as ripper of women. Infatuated Tânia begins to visit him frequently and hires a lawyer to try to take him out.

Collective film with five segments around the works and life of brazilian writer Oswald de Andrade.

On set, in the middle of the Atlantic Forest, a stressed film director begins another day of filming, reproducing the celebration of the first mass in Brazil. Suddenly three strange agents emerge from the forest and abruptly interrupt the scene. Authoritarians, they confiscate the filmed negatives. The paranoid director grumbles: "Are they from the government?". The execution of the film is compromised. Will the director in trouble be able to complete his film?

Based on the life of Brazilian poet Anderson Bigode Herzer, this intense drama tells the story of Bauer, a trans man who navigates a difficult life in an orphanage before finding love with young librarian Clara.

An anonymous urban protagonist experiences a series of absurd situations--including a crazy cab ride, an encounter with a wacky criminal gang, and lots of gunplay--infused with a unique anarchic energy, eventually suggesting our true animal nature.

A pawn shop proprietor buys used goods from desperate locals – as much to play perverse power games as for his own livelihood, but when the perfect rump and a backed-up toilet enter his life, he loses all control.

Ângela Carne e Osso (Angela Meat and Bone), a young nymphomaniac, lives surrounded by delinquents, and exerts intense allure on them, dominating them all with her erotic power.

Laura and Alan fall in love, but have to deal with the strange death of Alan's wife and with a rival, Lilith, who wants to break their relationship. At the same time, a narrator gives lessons on how to make a love story movie, exposing all clichés on that kind of film.

Comedy anthology in three segments, each one involving beautiful and uninhibited women.

Count Dracula, taking on the new identity of Vladimir, leaves Transylvania and goes to Brazil in search of his son Rafael. This vampire romance was conceived to be a potential telenovela, but only ended up running as a TV miniseries with four installments because the network that financed it went under.

Jorge, bastard child of the infamous Red Light Bandit, decides himself to pursuit a life of crime after meeting with his father, who has been incarcerated for the last 30 years.

Orson Welles goes to Brazil to shoot his documentary It's All True.

Suspected of murdering his girlfriend, man is judged by public opinion and gets implicated in a serial killing case.

A Jewish teenager goes to a Catholic school and falls in love with a black Catholic girl.

Cafundó is a 35 mm color film which blends fact with fiction in the life of João de Camargo, a former black slave (1858-1942, Sorocaba, Brazil) who, in his old age, works miracles and devotes himself to assisting others in order to attain his freedom. João de Camargo represents the genesis of religious and cultural syncretism in Brazil.

50 years of Brazilian history seen from the point of view of a friendship among two intellectuals.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

Mentally disturbed woman always ends up killing her lovers.

Twin sisters with contrasting personalities, Ruth and Raquel, rival in the fictional Pontal D'Areia, on the coast of Rio de Janeiro.

Beatriz, a spoiled young woman who, after consulting with the fortune teller Custodia, discovers that she needs to change to find happiness and love Dante, an honest man married to Clarice.

Facing a financial crisis, Guilherme receives an ultimatum: he must pay his overdue rent within 24 hours or face eviction from the Copacabana apartment—located in Rio de Janeiro's South Zone—where he lives with his family: his wife Joana, his children Kika, Beto, and Tatá, and his father Olavo. Left with no other option, they move into a large house in São Cristóvão (in the North Zone) lent to them by Joaquim, a Portuguese friend. The family struggles to adapt to the suburban neighborhood and cope with their lack of money. To overcome the crisis, Guilherme becomes a partner in Joaquim's auto repair shop.

Set in Poços de Caldas, Minas Gerais, the story shows how Pardal and Bebel, young people newly arrived in the city, fall in love. However, each hides their true identity from the other.

For 30 years, José João Batista—better known as Zezão—worked for the same company. After being forced into retirement by the board, he is left bitter and resentful, only to win a major lottery prize. However, he never collects the winnings, as he is struck and killed by a vehicle beforehand; the winning ticket ends up being buried with him. Angelina, Zezão’s wife, and their four children—Pedro, Jesus, André, and Maria de Fátima—search everywhere for the ticket, until Angelina has a vision of her late husband. In the vision, he reveals that he was buried with the ticket, which was tucked into the pocket of his suit jacket. Angelina then decides to exhume Zezão’s body. When the coffin is opened, the family discovers the corpse wearing only his underwear and concludes that the ticket has been stolen. This sets the stage for the soap opera's main plot: the search for the missing ticket.

Daniel is a psychic who can see the past and predict the future. As a child, he had a vision that his brother-in-law, João Henrique, was cheating on his sister, Ester, which led her to separate from her husband. As an adult, his psychic abilities increase and Daniel uses them for his own benefit, rather than to help people. He sets up a practice and appears on TV, becoming famous and known as “the Prophet.” Daniel begins to grow rich, important, and cold.

Marisol is a Brazilian telenovela produced by SBT in partnership with Televisa and originally broadcast from April 9 to November 5, 2002. It is a Brazilian adaptation of the Mexican telenovela Marisol, based on the original story by Inés Rodena. Adapted by Henrique Zambelli with text supervision by Ecila Pedroso, the telenovela stars Bárbara Paz and Carlos Casagrande. The story follows Marisol, a kind-hearted young woman who was abandoned as a baby and raised by a poor couple. The only clue to her true identity is a necklace her mother left with her. As she falls in love with Rodrigo Lima do Vale, Marisol becomes entangled in a web of family secrets, betrayal, greed, and revenge. Determined to uncover the truth about her origins, she must overcome countless obstacles while fighting for justice, happiness, and the love of her life.