Augusto Benedico

After a lavish dinner party, the guests find themselves unable to depart... and, over the next few days, all of their elaborate societal pretenses and façades deteriorate as they are reduced to living like animals.

After Caribbean despot Mariano Vargas is murdered at the hands of his enraged populace, his secretary Ramón Vázquez takes not just control but also Vargas' widow Inés, with whom he's been having an affair. Special military unit leader Alejandro Gual arrives to overthrow Vázquez by turning the people and Inés against him.

A young woman and her drug addict boyfriend plot to drive the woman's stepmother insane with LSD in a plot to secure an inheritance.

When his mother Dolores dies, Juan Preciado, son of Pedro Páramo, goes to Comala to claim his inheritance; but when he arrives he finds an abandoned and sinister place, inhabited by mysterious voices and whispers…

This film tells several short stories that end up lapsing in the emergency room of a hospital, because it is dedicated to nurses. Cantinflas appears at the end of the film playing the role of Luis, a man who has five daughters and looks forward to a boy, but fate plays a trick and the child dies at birth, but history gives a nice twist and a message of hope.

A woman with a troubled past introduces lust, depravity and sex to a religious commune.

A movie divided in two segments, the first "La puerta" (The Door) is about a high society gathering in which a door inside the mansion leads to a bizarre corridor where a naked and menacing human figure appears. The second "La mujer del carnicero" (The Butcher's Wife) is set during the Mexican revolution and is about horrifying hallucinations felt by a lieutenant after committing a murder.

Two wrestling stars must investigate strange deaths and a secret criminal organization led by a madman who becomes invisible.

A professor recruits a professional wrestler to protect his daughter from vampires intent on kidnapping her and marrying her to the devil.

Priest suffers a head injury, develops amnesia, ends up in a hippie commune.

A worker overwhelmed by the economic crisis and the cost of living is accidentally propaganda of a political party, apparently from left, who convinces him to join their ranks and defending the working class. After entering through a ritual as mysterious as typical, you will realize demagoguery and arrangements existing between union leaders to maintain the status quo unchanged and profit from mafia practices.

Independently-wealthy woman tries to break free of repressive, conservative cultural constraints.

A man is sentenced to prison for a murder he did not commit. Thanks to a serum invented by his brother, he manages to become invisible and escape from prison in order to prove his innocence, while his brother works feverishly to find an antidote. Theatrically released in USA in Spanish language only; later English-dubbed version syndicated directly to television.

Tourists visiting the pyramids in Mexico experience a string of deaths and disappearances while staying at a nearby hotel. Police investigators Fernando and Cornado are assigned to the case and attempt to solve the mystery with the help of reporter (and girlfriend of Fernando) Veronica and the wrestler Santo.

Federal-agent/cowboy battles crime

A ship carrying Conquistadors is wrecked and the survivors are thrown ashore to struggle through the Yucatan jungle.

El Santo and his loyal friends will try to disarm a dangerous criminal organization.

This Mexican melodrama may have been released above the border as After the Storm. The principal characters are a pair of twin lighthouse keepers. They try their best to live together with their wives under the same roof, but the delicate balance is shattered when one of the brothers falls in love with his sister-in-law. When one twin is lost during a storm, the other assumes his identity, with the expected romantic complications. If Despues de la Termenta sounds familiar, it is because the screenplay was inspired by the 1946 Bette Davis vehicle A Stolen Life.

Elena (Libertad Lamarque), already a star, falls madly in love with Roberto. They make it to the altar. Elena and Roberto adopt a baby. The years go by and everything is happiness in the couple’s life—until one day the girl’s grandfather appears.

Liberal farmer Pepe has arrived in Santa Fe to visit his aunt, Dona Perfecta. While he's there, Pepe is eager to teach the traditional-minded townspeople a new way of living. Unfortunately for Pepe the people of Santa Fe aren't eager to embrace change, and when the citizens begin to voice resentment Pepe is forced to seek refuge with his sympathetic aunt. Dona Perfecta is just as traditional as any of the other townspeople though, and only suffers Pepe due to the fact that he is family. When Pepe and his cousin Rosario fall deeply in love, the situation quickly comes to a head.

Newlywed couple wait for their first baby, but the mother/in-law gets pregnant first.

A student-movement leftist becomes a nun and absorbs lots of deep, deep TV-movie spiritual lessons about God's glorious plan.

Young pop singer finds his niche in the entertainment industry.

Popular telenovela produced in Mexico in 1979, starring Verónica Castro, Rogelio Guerra and Rocío Banquells. Castro also sang the theme Aprendí a Llorar, a song written by Lolita de la Colina. The telenovela was produced by Chilean Valentín Pimstein and Carlos Romero, it was directed by Rafael Banquells. The story was written by Inés Rodena and adapted by Valeria Philips.

Based on the 1966 Argentine telenovela *Jacinta Pichimahuida, la maestra que no se olvida*, the story centers on a group of second-grade students at the Mundial School. Together, they discover the ups and downs of life and seek to resolve their problems with joy and a lighthearted attitude, always with the help and affection of Teacher Helena, who was like a second mother to them.