The Lady in the Portrait

Someone we hear talking - but whom we do not see - speaks of a project which describes the four key moments of love: meeting, physical passion, arguments/separation and making up. This project is to be told through three couples: young, adult and old. We do not know if the project is for a play, a film, a novel or an opera. The author of the project is always accompanied by a kind of servant. Meanwhile, two years earlier, an American civil servant meets with an elderly French couple who had fought in the Resistance during World War II, brokering a deal with a Hollywood director to buy the rights to tell their story. The members of the old couple's family discuss heatedly questions of nation, memory and history.

Marianne Winckler relocates to the port city of Caen in order to pass herself off as a member of a large community of itinerant workers desperate to make ends meet. She gains employment as a cleaner on a ferry travelling between Ouistreham and Portsmouth, recording the drudgery of the work she and her colleagues are required to do.

An executive manager, his wife and his family, at the point when his professional choices are about to overturn all their lives. Philippe Lemesle and his wife are separating, their love irretrievably damaged by pressures of work. A successful executive in industrial conglomerate, Philippe no longer knows how to respond to the contradictory demands of his bosses. Yesterday they wanted a manager, today an enforcer. Now he must decide what his life really means.

In the midst of a volatile regime change in a Francophone African state, Maria Vial is fighting to sustain her family’s coffee plantation. With rebels and the army struggling for control, French peacekeeping forces move out, warning the remaining white residents that they’re on their own. But Maria refuses to be driven off the land, even as tragedy looms.

A troubled young woman becomes obsessed with her mysterious new neighbor, who bears a striking resemblance to the girl's dead mother.

Esther is at the end of her career as Head Seamstress at Dior Avenue Montaigne workshop. One day, she gets her handbag stolen in the metro by a 20 years old girl, Jade. Instead of calling the police she decides to take care of Jade. She sees in her the opportunity to pass on her skills, the craft of dressmaking, her only wealth. In the frenetic world of Haute Couture, Esther will give Jade la beauté du geste, a way to reach beyond herself.