Maintenant ils peuvent venir

Algeria, the late 80s. Idols of the past, such as socialism, are staggering. New idols rush in: capitalism made in IMF, islamism made in Saudi Arabia and Afghanistan. For Nouredine there is only one idol: his mother. And her decision is final: Nouredine will marry Yasmina who is supposed to teach him happiness. Together they will discover the horror of a country staggering into kafka-like absurdity and is falling into barbarity and fanaticism.