María Eugenia Alonso, almost a woman, still an adolescent, returns from Europe to impose the light of her reason on that of her old house, a temple of boredom, where, as in the ancient and moist churches, the old smell of traditions and race floats.
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In the late 1980s, Pat Tate journeys from peddling pills in Marbella to his time in prison, where he solidifies his power before his release to reclaim his turf.
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