Damián Dreizik

When Marcelo Pena finally is about to be appointed Head of the Philosophy Department, the famous and seductive Professor Sujarchuk returns from Europe to claim the kingdom for himself.

During the 1986 World Cup in Mexico, in the legendary match between Argentina and England, Diego Maradona scored two unforgettable goals in a game that meant more than sport for a nation scarred by the Falklands War. Decades later, when the jersey he used in the match is auctioned, a humble kit man shaped by profound loss sets out on a final journey that forces him to confront his past and his broken relationship with his daughter.

After the theft of his motorcycle, Lucio bums aimlessly around Buenos Aires drifting from one arcade and record store to the next, indulging in short chats with friends and, more often, setting out onto the streets alone.

Federico Manuel Peralta Ramos was an artist responsible for the creation of a work that it was as ephemeral as it is eternal. He was born in a traditional family, but some years later the curiosity for the art scene, night life and avant-garde development pushed him to live within the iconoclastic and unbiased young 60's crowd.

It summarizes the encounter, at the end of 1999, between the bewildered Victoria and a man who has just arrived from Madrid to meet her on the last day of the millennium. The minimal dramatic substance of this situation acquires a singular character insofar as that man is her father: the girl is 27 years old and it is the first time she is going to see him.

The venerable VHS may have surprises. A strange spell captures the protagonists, who are friends, and submerges them straight into the world of the most implausible Argentine cop films. An amazing flow of images lost, forgotten and recovered whose consumption threatens to become addictive.

Patoruzito travels to Buenos Aires to represent their race into a national holiday, and there is a mansion where a witch tries to make a fairy prisoner.

In the 21st century, man arrives on Mars, where he discovers that there was life. Later, through a television program, details of the Red Planet are discovered, after being invaded by humans.

A renowned sommelier finds a way to communicate with her past self in an attempt to correct the mistakes that have shaped her life. However, each message sent triggers unexpected consequences, altering not only her present but also the fates of those around her. What begins as an opportunity to make amends for the past becomes a race against time to prevent everything from spiraling out of control.

The inhabitants of San Hilario make their living from funerals. They are awaiting their first customer in a long time.

A classic short from FARSA Producciones.

The story revolves around the life of Leopold, a middle-class father; his wife Isabel working for a decadent comedian; Beto, the son, a taxi driver; and Martita, the daughter, a divorced and unemployed hairdresser. All live in 'harmony' in a 40 square-meter apartment. One day Leopoldo takes it upon himself to donate blood. The next day, he is summoned once more to the hospital. His life is about to change, and radically so.

Clara Goldstein is a lovely, middle-aged Jewish woman who, because of an impending visit from her American brother, is forced to create a contrived relationship with a man of her own faith. She places an ad in a personals column and meets Raul, a well-spoken, handsome and charming man whom she soon discovers is a Gentile and does not fulfill her reason for placing the ad. Having no alternative, Clara proceeds to instruct Raul with an intensive course in Judaism. Their journey is both humorous and captivating, but not without pitfalls. These two mature people risk a last chance at a meaningful relationship in their lives.

A man in his thirties does not want to be like his father, but that seems to be unavoidable.

Two young men steal an Egyptian mummy and are pursued by an Egyptian assassin who wants to return the relic to his country, by a paleontologist, by two police officers, and by the ghost of an ancient curse.

When his pet is killed by a probe from earth, Mercano, a Martian, travels to earth angered. Landing in Buenos Aires, at first noone takes any notice of him.

Angel is one of those typical macho’s who does not hold women in high regard. With his fancy talk, his tight suit and his fashionable job as a director of publicity spots, he has ample opportunity to grab as many young aspiring actresses by the pussy as he can. His wife and kid are left to deal with the consequences. This is now drastically coming to an end. One night, when there’s once again not enough blood flowing through his brains and too much through his nether regions, he walks into a trap set up by a circle of Celtic Goddesses. They transform him into a zombie and make him a pawn in their plan to end male dominance one and for all. Luckily Angel’s not alone. He’s part of a brotherhood of undead macho’s. They do not only exchange tips in how to mask their increasingly penetrating body odor, they also come up with a plan to sabotage the Goddesses.

After embracing her female identity, Rubén rejects her Bar Mitzvah. When tragedy strikes years later, she returns as Mumy Singer to celebrate it her way.

Epecuén was one of the most important touristic villages of Argentina. Thousands of people concurred, attracted by the healing properties of its thermal waters. On November 10th 1985, a huge volume of water broke the protecting embankment and the village was submerged under ten meters of salt water. Epecuén disappeared. Thirty years later, the waters receded and the ruins of Epecuén emerged exposing a bleak and deserted landscape. The residents never returned. The plot revolves around a group of young people that take a trip to the ruins in order to film a documentary about Epecuén. Ignoring the warnings, and after a brief tour, they get stranded in the abandoned village. Contrary to what they thought, they begin to realize that they are really not alone…

In 1806, in the mist of the British invasion of Buenos Aires, football is introduced. A merchant of the time sees in this sport a unique business opportunity and in the process awakens a passion so great that it can replace the war.

Marcos (Gustavo Garzon), an existentially bored university lecturer, gets a grant to return to his birthplace to carry out biochemical research. There he meets old buddy Raul (Leo Masliah), who is now a priest. The story opens out to bring in their schooldays 20 years earlier, during Argentina’s politically active ’70s, when Raul was going out with Tamara (Victoria de Elizalde), who now lives in Paris with husband Paul (Ginger Poujoulet). The mature Tamara (Laura Melillo) returns to be with her sick mother, and Marcos unwittingly stumbles across some high-level politico-economic corruption on the part of the lab’s owners, led by Dr. Castembacher (Jean Pierre Reguerraz). In a piece in which perfs win out over plot, Garzon is satisfyingly nuanced as the disillusioned Marcos. Technically, pic’s restricted budget makes itself felt.

Peter Cascada is a singer who returns to his hometown after 23 years, invited to the centennial celebration of the town club. His return will bring him big surprises, since a lot has changed during his absence.

Tells the love story of Pablo, director of documentaries and Nati, specialist in public relations.

An Argentinian intelligence agent goes undercover in the Jewish community to gather information, unwittingly preparing the ground for anti-Semitic terrorist attacks. Years later, he decides to bring the truth to light.

Tells the story of four prostitutes and their madama (pimp). Each with a different story.

The series proposes a new look at the human bonds of the new century. Each of the chapters develops a unique story. They are focused on the conflicts that their characters face in the face of the resistance of a society that often does not fully accept new realities, a product of the transformations that are currently being experienced.

25 years later, the flame is rekindled. Will today's cancel-minded world be ready for its absurd, acidic, and stupid humor?