Virginia Lago

Stories about a group of young people who spend a week at a coastal resort.

As soon as his boss discovers his betrayal, Luciano must flee, abandoning his life in the mafia and crime behind him. His options are limited, and the longer he waits, the greater the chances of being captured. However, when Luciano encounters a prostitute with a serious illness, he finds shelter in her home and begins to devise a plan to save his own life.

Between farce and grotesque, John, who has lost his job, in a collective versea values ​​of a knife sharpener, can not against debts contracted or can with his family, wife and two kids. One day, the woman left, runs out of credit and Juan is left with only his dream of being a radio announcer.

An epic about one of the most turbulent times in the recent history of the Buenos Aires suburbs. In this context, a group of idealists emerges who are specifically called: "The bastards."

Quirky but lovable priest is transferred to a new parish, and discovers that his flock all need stern talkings-to.

It describes the dilemma of a director in front of his characters and the search for a fetish actor who ends up being his great love. As if it were a documentary, the director remembers moments of his life and fragments of the filming of his film. That film tells the story of a poet who comes from the 19th century and contemplates the pain of the 20th century. There are tributes to her ancestors, especially her Piedmontese grandmother and her contemporary idols: actress Bárbara Mugica and Luchino Visconti.

The story of several women who reach motherhood in difficult conditions.

Upon learning of the murder of a friend, a police inspector sets out to take justice on his own. This attitude, contrary to his usual convictions, will gradually destroy him.

A very nice young singer wants to succeed in Cosquín.

A philosophy teacher is raped by her night school students.

A young man discovers an infidelity and kills his wife. He was in love with this girl and had married her to get her out of a correctional institute.

The film tells the story of a real life fan of Boca Juniors football club, Mary Esher Duffau, who as a teenage girl adopted the identity of a man in order to survive on the streets of Buenos Aires. The film shows the teenage Raulito wandering between a reformatory for juvenile offenders, prison and psychiatric hospital. Raulito manages to escape, and finds work at Constitución railway station in Barrio Constitución. Raulito meets up with another street child and they become close friends. They both eventually manage to escape to Mar del Plata.

The title of this story is taken from the name of the great Argentine singer Carlos Gardel, the idol of the antihero Toribio portrayed by Alberto Argibay. Toribio's goal in life is to emulate the famous singer and making his own way successfully in the music business. Yet at the same time, he does not stop his illegal means of making ends meet, stealing and petty thievery. Discouraged when his big break never quite materializes, Toribio heads for disaster when he joins up with a large smuggling scheme.

A playwright going through a period of crisis returns to his childhood home and begins to nostalgically recall the relationships that shaped his life.

An honest worker is forced to commit a crime for social reasons and unpleasant personal circumstances. After serving a prison sentence, he tries to rebuild his life.

The film tells the story of a long-divorced couple who have watched their now-adolescent son grow up separately. This brings a sense of remorse that affects the parents, who decide to reunite to offer their son a way out of the hopelessness he finds himself in.

Mujeres de nadie (Nobody's Women) is an Argentine telenovela produced by Pol-ka and broadcast by El Trece from May 10, 2007, to November 17, 2008

Anthology series, in which every episode introduces fictionalized versions of real cases about women who, for different reasons, ended up committing murder.

The accident of a couple on the road opens dozens of questions. The woman's body has disappeared. The man remains in a coma. The identity of both reveals a secret: they were not husbands, they were lovers. Three years earlier, a friendship between two marriages became a prelude to that forbidden love. Raquel and Damián, well-off fishing entrepreneurs, meet Carolina and Santiago, a young housewife and her husband, an expanding construction worker.

The first part of the story begins when Juan's little daughter (Ethan Wayne), María Bonangelo (Grecia Colmenares), is adopted by the wealthy family of Encarnación and Manuel Olazábal, after the death of their biological mother, Amalia (Amanda Sandrelli ). María receives the last name of her new family, as well as two adoptive relatives: her sister Victoria (Viviana Saccone) and her aunt Asunción (Luisa Kuliok). The girls Victoria and María grow up as true sisters in a family ranch: "La Esperanza", until they arrive in the city of Santa María with their parents at approximately 20 years of age.

The story takes place in the Sicily of the 30s and its protagonists, Giuliana (Luisa Kuliok) and Luca (Osvaldo Laport), are seen intermingled in the games of the mafia and local power.