Jesús Caba

Madrid, summer 2011. Economic crisis. 15-M movement and 1.5 million pilgrims waiting for the Pope’s arrival live side by side in a Madrid that’s hotter and more chaotic than ever. In this context, detectives Velarde and Alfaro must find what seems to be a serial killer. Their against-the-clock hunt will make them realise something they’d never imagined: neither of them are so very different from the killer.

A young college is responsible for the care of an innocent little girl, but soon all he knows give a twist that will endanger his own life. All begin when crossing under the floor of the third floor to the left, a road without knowing directly the door open to the forces of evil, freeing them at will through the building. A desperate race to save the lives when terror and pure evil are in the next aisle.

Men and women deal with different stages of love. Desire, jealousy, longing and melancholy are part of the romantic story of each of the characters, including a teacher, a middle-aged couple and a jealous boyfriend.

The story of the encounter between a boy and a girl. He confesses that he fell in love with her at first sight, but she does not believe him. However, as they walk through the night in Madrid, they share their desires, secrets, and maybe a few little lies. But soon the film brings us back to the harsh reality of power struggles, psychological games and conflicts between the sexes. Stockholm thus offers an incredible reading of the relations between young people today.

Max [Jesús Caba] wakes up without realising that the day before the clocks went back. A chain of events take place over the course of the day as a result of him leaving the house one hour late.

After two parents report that their 12-year-old daughter Asunta is missing, the investigation soon turns against them.