Hisashi Igawa

Shakespeare's King Lear is reimagined as a singular historical epic set in sixteenth-century Japan where an aging warlord divides his kingdom between his three sons.

Down-on-his-luck veteran Tsugumo Hanshirō enters the courtyard of the prosperous House of Iyi. Unemployed, and with no family, he hopes to find a place to commit seppuku—and a worthy second to deliver the coup de grâce in his suicide ritual. The senior counselor for the Iyi clan questions the ronin’s resolve and integrity, suspecting Hanshirō of seeking charity rather than an honorable end. What follows is a pair of interlocking stories which lay bare the difference between honor and respect, and promises to examine the legendary foundations of the Samurai code.

In the summer of 1941, the United States and Japan seem on the brink of war after constant embargos and failed diplomacy come to no end. "Tora! Tora! Tora!", named after the code words used by the lead Japanese pilot to indicate they had surprised the Americans, covers the days leading up to the attack on Pearl Harbor, which plunged America into the Second World War.

Eight visually rich vignettes drawn from Kurosawa’s own dreams—fox weddings and vanished orchards, a soldier’s ghosts, a walk through Van Gogh’s canvases, nuclear nightmares, and a water-mill utopia—meditate on childhood, art, mortality, and humanity’s uneasy bond with nature.

An elderly Nagasaki hibakusha spends a summer caring for her four grandchildren, whose curiosity about the 1945 bombing stirs buried memories and moral questions. When an American nephew from Hawaii visits, the family confronts grief, guilt, and the possibility of reconciliation across generations.

On a Tokyo dump’s shantytown edge, interwoven vignettes follow residents scraping by: a boy who “drives” an imaginary trolley, a homeless father and son designing a dream house, a young woman brutalized at home, drunks, schemers, and saints of small kindnesses. Kurosawa crafts a ragged mosaic of hardship, fantasy, and flickers of grace that keep people moving forward.

In this humorous paean to the joys of food, a pair of truck drivers happen onto a decrepit roadside shop selling ramen noodles. The widowed owner, Tampopo, begs them to help her turn her establishment into a paragon of the "art of noodle-soup making". Interspersed are satirical vignettes about the importance of food to different aspects of human life.

Masaki, a baseball player and gas-station attendant, gets into trouble with the local Yakuza and goes to Okinawa to get a gun to defend himself. There he meets Uehara, a tough gangster, who is in serious debt to the yakuza and planning revenge.

Kaji, sent to the Japanese army labeled Red, witnesses cruelties in the army and revolts against the abusive treatment against a fellow recruit. He also sees his friend Shinjô defecting to the Russian border, and he ends in the front to fight a lost battle against the Russian tanks division.

A businessman with a disfigured face obtains a lifelike mask from his new doctor, but the mask starts altering his personality and causing him to question his identity.

A group of travelers is stranded in a small country inn when the river floods during heavy rains. As the bad weather continues, tensions rise amongst the trapped travelers.

The tragic, true story about Hachikō, an Akita dog who was loyal to his master, Professor Ueno, even after Ueno's death.

Directed by Junya Sato and based on a book by Jun Henmi, "Yamato" has a framing story set in the present day and uses flashbacks to tell the story of the crew of the World War II Japanese battleship Yamato. The film was never released in the United States, where reviewers who have seen it have compared the military epic to "Titanic" and "Saving Private Ryan."

Kon Ichikawa's retelling of the classic true story of Samurai honor. When a young clan lord is forced to commit seppuku (ritual suicide), his loyal followers (now Ronin, masterless Samurai) dedicate their lives to avenging his death.

The relationship between Tetsuro, a university student from a disgraced, burdened family, and Shino, a waitress supporting her impoverished relatives. The couple decides to marry despite the significant emotional and social hardships each faces, viewing their love as a means to overcome the shame and despair inherited from their pasts.

Late in the 1500s, an aging tea master teaches the way of tea to a headstrong Shogun. Through force of will and courageous fighting, Hideyoshi becomes Japan’s most powerful warlord, unifying the country.

In postwar Tokyo, beloved writer-professor Hyakken Uchida retires and is buoyed through hardship by the fierce devotion of his former students, who honor him each year with a raucous “Not yet!” birthday toast. Told in warm, gently comic vignettes, Kurosawa’s farewell celebrates aging, friendship, and the sustaining ritual of teacher and pupils refusing to say goodbye.

Following the detonation of the atomic bombs on Hiroshima and Nagasaki, the Japanese military and the government clash over the demand from the Allies for unconditional surrender. Minister of the Army Anami leads the military officers who propose to fight on, even to the death of every Japanese citizen. Emperor Hirohito, however, joins with his ministers in asking the unthinkable, the peaceful surrender of Japan. When the military plots a coup to overthrow the Emperor's civilian government, Anami must face the choice between his desires and loyalty to his Emperor.

"Young People" is a story about the lives of four brothers and a sister, Sato. After the death of his parents, the older brother, Taro, who works in construction, decides to replace them. The second brother, Jiro, is a truck driver. The third, Saburo, is a student, dreams of a better future for the whole family are connected with him, with his career. Brothers and sisters are fighting to give him a higher education. And, finally, the youngest of the brothers, Suekichi, is also going to enter the university after graduation. The life of the Sato family is complicated. Taro is kind, but limited, not always able to find a common language with his brothers and sister Orie. The girl cannot stand the despotism of her brother, leaves her home and goes to work at the factory. With her departure, everything in the house goes upside down. Suekichi fails her university entrance exams, Orie is forced to return to her family.

The Americans are swiftly closing on Okinawa, an island just south of the Japanese mainland. The Imperial command sends top generals and several army divisions to defend it at all costs. The mission quickly degenerates as vital resources and troops are diverted to other islands. After a civilian evacuation ends in tragedy most of non-combatants are forced to remain on the island. Many convert to soldier status. Tokyo sends mixed messages that squander time and resources, as when they order the defenders to build an airstrip for aircraft that never come. The truth soon becomes obvious: the high command decides that the island cannot be held and effectively abandons the Okinawan defenders. When the Americans land many troops are deployed in the wrong places. As the slaughter mounts, a suicidal attitude takes hold. Okinawa becomes a death trap, for civilian volunteers and non-combatants as well.

In the 50s, the complicated life of a popular writer who must share his life with his family, his numerous mistresses and his work

In 1907, a group of men climb an unconquered peak in the last unmapped region of Japan.

On 17 May 1936–during a period of war, economic depression, public unease and growing militarism, a time of unrest and confusion when public opinion was, at best, unpredictable–Sada Abe killed and emasculated her lover. Condemned by the law, Sada finds herself lionised by the press and hailed as a 'saint' of love. Because hers was a crime of passion, the purity of her motivation elevates her from criminal to heroine.

A moving story of intense love, hate, and reconciliation born out of a fateful encounter between the only daughter of a conglomerate leader and a girl from a poor family.

Three tales raise unsettling questions about the central qualities of being human. In one, a father is torn between love for his son and the desire for revenge, while a second examines the twisted love of a teacher for his female colleague. The third story delves into the complex affections hidden within a bully.

As Haru emigrates from Japan with her family to the coffee plantations in Brazil, Natsu is left behind in the care of spiteful relatives. Losing all contact, each must make her own way in an unforgiving world. Hardships abound in the struggle to survive in war-torn Japan and in the face of anti-Japanese sentiment in Brazil, financial ruin, familial pressure, abandonment and lost love. However they also experience the precious joy of survival and success. Now, after 70 years, Haru comes back to Japan to find her estranged sister.

One day, a middle-aged man, Fujimoto Makoto, is standing on a train platform, about to jump in front of a train. Nakashiro Kana and Tasaki Shota both happen to be on the same platform, and sensing what is about to happen, they quickly pull him back to safety. There's a reason why Kana and Shota realized Makoto's intentions, they both have the kind of emotional scars that can't be put into words. Even after so much pain, through a series of e-mails, they've become attracted to one another and slowly learn to open up their hearts once again.

Kinoshita Kaori (Nakayama Miho), a native of Nagano, was allowed to live alone in Tokyo for two years during her junior college years. Now, with employment still unsettled, her parents are pressuring her to return to Nagano. Her friend Noriko (Sendo Atsuko) had good grades in junior college and had received a job offer from a major company, but the offer was rescinded due to her living alone. Meanwhile, Tomoko (Kawai Michiko), who dreams of becoming a reporter while job hunting, is also struggling to balance her dreams and reality. One day, Kaori visits a small company with her resume in hand, where she meets the company president, Yoshizawa (Oda Yuji). Yoshizawa accepts Kaori without even a proper interview, and despite her misgivings about the company, she soon finds herself drawn to Yoshizawa.

In a small village in the Kanto regioin, which is surrounded by mountains, residents and a management consultant (Shosuke Tanihara) struggle to rebuild the village through its only industry, farming.

While working in the leisurely atmosphere at a food company's factory, Futaro is asked to return to their corporate headquarters by his good friend. Unfortunately, he finds himself assistant to Izumi, a highly demanding expert on Italian food culture. Futaro gets off to a rocky start with his new female boss, and always seems to be saying or doing the wrong thing. He also doesn't seem to be particularly suited to his new position on the Italian Restaurant Project, considering he doesn't even like tomatoes! But Futaro may still have a few tricks left up his sleeve that he can use to win over Izumi and find success in his new job.

An industrialist is diagnosed with terminal cancer. He is abroad in Europe at the time, and a glimpse of a Japanese woman in that setting causes him to imagine her as the personification of his impending fate. As his dialogue with his imagined mortality continues, he meets the living woman, the template for his fantasy, and together, they tour rural churches. Gradually, he comes to some kind of peace about the diagnosis. When he returns to Japan, he is met with a series of challenges that profoundly test the lessons he has learned.