Sandra Faleiro

In Alta Definição, Daniel Oliveira interviews one guest every week with an intimate approach.

At the center of this story is Aurora Guerra, a popular actress who became a star in the teen series "The Chosen Ones" at an early age. Irene and Julio, Aurora's parents, signed her up for a casting several years ago and the matriarch, realizing that the decision was between her and another girl, managed to play the casting director in Aurora's favor. Lúcia has the same dream: to be a successful actress and decides to apply for the casting as well, but she soon realizes Irene's scheme and decides to confront her. After a violent argument between the two, Lúcia ends up having an accident that almost took her life and killed her chance of becoming an actress, due to the physical disabilities she was left with. Twenty years later, Lucia is determined to take revenge. The young woman wants to get back what she believes Aurora has taken from her, far from imagining that she is just a victim of Irene's evil deeds.

Vitória returns determined to recover her children, Afonso, Matilde, and Francisco, after serving an unjust prison sentence. Her father-in-law, Manuel Mendonça, a powerful and manipulative man, has managed to separate his grandchildren from their mother and will do everything to keep her away from her family. With the help of Jorge, a prestigious lawyer and her first love, Vitória will face the Mendonça empire and fight for what she loves most: her children. Vitória is a story of resilience, courage, and the purest of feelings: a mother's love.

In the heart of the Alentejo countryside, Mariana and José Diogo are two children whose backgrounds could not be more different: she is the fruit of a loving relationship; he's an orphan. She has a safe haven in her family to run to when she gets hurt; he can only run to her.

In the parish of Rio Meandro, two villages are at war over the construction of a dam that will submerge one of them: either Aldeia Velha or Aldeia Nova.

Love, passion, mystery, betrayal makes the days of the Pôr do Sol estate. The Bourbon de Linhaça family owns the Pôr do Sol estate, but not everything is rosy...

The story of the forbidden romance between Paula, a nun of the Convent of Odivelas, and King D. João V. A love without limits, which takes place in the eighteenth century, and made the King ignore common sense and take the nun as a lover, a confidant, and a counselor. Based on the historical novel by Patrícia Muller.

Showing life as it is... Alice is a surgeon who is forced to work with her ex-husband David, an anaesthesiologist who will incorporate the Surgical Team at the Santa Catarina Hospital in Lisbon. Vicente also works at this hospital in internal medicine. He’s married to Simone, who’s a vet at the Zoo. This couple will go through a messy divorce in which Vicente is in danger of losing custody of his children due to his affair with his colleague Alice. This series that follows the everyday lives of doctors fighting to save people's lives at a city hospital, but also the challenges and adventures of a team of veterinarians, biologists and zoo keepers who are committed to preserving their wildlife at the Zoo.

A small town in Portugal becomes engulfed in a web of political intrigue when a young engineer is recruited as a KGB spy in this historical thriller.

Despite the hardship, there are those who fight and overcome... Marta is a single mother and a humble woman who’s doing her best to offer her two daughters, Susana e Beatriz, a good life. But when she finds out that her younger daughter has a rare and serious condition, everything changes in this family’s life. Susana decides to seek out Rodrigo, the child´s father and a wealthy man who can afford to pay the much needed surgery abroad. Even though he didn't even know he had a daughter, Rodrigo accepts to pay for the surgery on the condition that he’s granted custody. Marta is then faced with the greatest dilemma in her life: in order to save his daughter, she’ll have to give her up. Rodrigo will end up using Beatriz in an elaborate ploy to get closer to Marta. However, his cousin Gabriel’s return to Portugal will make things difficult for him, as Gabriel will fall in love with Marta, thus turning into Rodrigo's rival.

A love as large as the world itself... Pedro has just returned to the city where he was born and spent most of his life, but mysteriously disappeared without a trace for 20 years. The reasons for his disappearance have always been cause for speculation, as he was something of a celebrity in the city. Despite always denying any direct responsibility, he was known for performing miracles on people's lives by having them look at themselves from a different perspective. In fact, Pedro has the gift of being able to foresee the future. But his visions can be, at the same time, a blessing and a trap. When he was young, he saw his girlfriend Carmen dressed as a bride laying in a coffin and wearing an engagement ring that he assumed was his. It was as if fate was warning him... Pedro ends up getting involved with Manuela and have a daughter with her named Sofia. Still, he goes through a rough period and receives a serious death threat that makes him leave everything behind.

After an anonymous report, the former minister Álvaro Vieira Branco, under investigation for several crimes such as lobbying and misuse of powers, stays in home detention with an electronic bracelet. The report allows the criminal inspector, Gonçalo Schmidt, to finally investigate what they have suspected for so long: Álvaro Vieira Branco does not own personal nor familiar income to justify his high-quality level. Imprisoned in his luxurious mansion, Vieira Branco has to adapt his strategies to keep satisfying (mostly) the financial needs of those who surround him, while he tries to: get rid of the case, find out who is the whistle-blower and maintain his influence on the public sphere. To solve all of these, Vieira Branco counts on with his long-standing lawyer, David Rebelo Morais, current politicians and his trustworthy foreman, Zé Mário.

Álvaro and Maria do Carmo lived happily in Angola. He was a successful businessman and she was a mild mannered housewife. They have two children together, Ana and João, who were studying and living their teenage years in Luanda... Until the day the civil war broke out and everything fell apart. Amidst declarations of independence, a wave of violence breaks out and the established peace and order fades away. In July, 1975, the Mendonça family, along with over five hundred thousand people, leave their belongings behind and embark on an air convoy that would become the biggest exodus in the history of the Portuguese people to a homeland that most only knew from photos and dubbed it Metropolis. In Lisbon, Joaquim and Natália, Álvaro’s brother-in-law and sister, take the Mendonça family in their small apartment, where they will try to get their lives back in order. However, over that hot summer of 1975, the integration seemed to be far from easy.

Joaquim is released early from prison after sixteen years. Hiding it from his family, he takes on a dangerous job as a boatman ferrying illegal clam-pickers out into the river as a way to buy his daughter the piano he once promised her.

Fiction feature film about the Douro, its people, stories and suffering. The relations between the lords of the land and those who work it.

In the mid-20th century, a troubled relationship between Germana, a young writer, and Quina, her aunt who lives in the northern Portuguese countryside. Feelings of jealousy, admiration and the complex magnetism between these two strong women arise.

Gilda is terminally ill. Her only wish is to die without pain, and as all her suicide attempts comically fail, she decides to seek professional help.

The chronicle of a Portuguese family that owns one of the largest estates in Europe, on the south bank of the River Tagus. The Domain delves deeply into the secrets of their homestead, portraying the historical, political, economic and social life of Portugal, since the 1940's to these days.

Pavese considered Dialogues with Leucò his best work. Eloquent and at the same time sententious and fragile, but implausible among humanized gods, demigods, heroes, and other pagan figures of Greek mythology, who question, through the imaginary of myths, the society of contemporary man. Out of a time and a certain space, and thus, and like all myths, always current.

During the war of in-dependency Evita moves from Lisbon to Mozambique to marry Luís. She slowly discovers how different and disturbing life is in a country of war and when her husband is send on a military mission she starts to fight loneliness. Over time she finds out more about her husband and Mozambique than she would have imagined in her peaceful European home. Racism, violence, injustice and fatalism make life unbearable...

Nogueira, a man in his fifties, is a relic of times long past. While the youngsters at the school where he works as a caretaker still think the world is their oyster, Nogueira knows that, for him, most doors have long closed.

Miguel (Luis Miguel Cintra) is lucky that his income will only level off if he neglects his business as a financier, and his wife and family will be well supported. Why? Because he has begun hearing noises that no one else hears, noises that bother him a great deal, and that make it impossible for him to bear human society. His wife (Jessica Weiss) is thoroughly put out by this radically changed behavior in her formerly good husband, but though she considers leaving him, she stays by his side. Deep in the mountains, Cecelia (Rita Dias), a devout, pure young cowherd, has been brutally raped by an old man. Her boyfriend (Pedro Hestnes) has killed the rapist, and fled the area. As a result of the rape, Cecelia is pregnant. One day, while driving in the mountains, Miguel gives Cecelia's boyfriend a ride. The two of them chance upon her sitting amid the rocks with her infant baby.

The start of Luís Rovisco’s old age isn’t exactly cheerful. Already in his sixties, he’s still roaming the country by himself, carrying out his tasks — increasingly less real — as sales director for the company SegurVale. Sadness, resignation? Not with the songs Luís makes up behind the wheel, and that take over this film from start to finish.

A woman recovering from a personal tragedy imprisons a man she met at a party, shutting him in a room of a building demolition.

Two women victims of domestic violence exchange stories through the grids of a prison. One changes the life of another.

Thirty-something Vítor still lives with his mother, Fátima, in his grandmother Júlia’s apartment. Fátima is a hairdresser with a quiet disposition who, at night, fantasises about the policeman who has just moved in next door. By day, Vítor is a lowly employee on a TV show. But at night, he dons his neighbour’s uniform to win the favour and satisfy the desires of a boy he’s met online. In her retirement home, Júlia is unable to sleep at night and has long forgotten what drugs she is meant to be taking. She misses her dead husband, who manifests himself in the body of a living friend, and gets involved in her daily activities. Through these characters, Diogo Costa Amarante constructs a fascinating portrait of lives lived while desires remain unrealised.

Xavier returns to Lisbon after a military stint, determined to lead a meaningful life, only to find his world closing in on him.

In a time preceding the Carnation Revolution, we meet two men: one young, one old. One is fleeing the country, and the other helps him escape through Trás-os-Montes. While they make “the leap,” they speak about their lives and their troubles… This is an ode to those who fought for Freedom, and to these fifty springs that have passed. Throughout 13 performed songs, we travel across the country, hand in hand with several Portuguese people who tells us their stories through music, until we get back to this young man who runs away and returns to Lisbon, shortly after the Revolution, to reunite with his loved ones and live in freedom.

When her husband dies, Dora Rosário, a woman trapped in the dark years of the Estado Novo, begins to live only for her daughter Lisa and for the memory of her deceased husband, who accompanies her daily. However, when she discovers that her husband was not who she thought he was, Dora questions her entire past and ventures out in search of a new life. But she will soon discover that mourning will not be as easy as she wants to believe.

This short film is based upon a book of tales "Exemplary Crimes" by Max Aub who, in his turn, was inspired by real testimonies that describe crimes straightforwardly. The Testimonies are individual confessions by different persons that have nothing in common but the fact that all committed murder.

A group of actors interpret the words of Basil, Lord Henry, Dorian Gray, Sibyl Vane and James Vane, from the novel "The Picture of Dorian Gray" by Oscar Wilde. Next to them are the Butlers - figures that compose the scenic space, essentially empty. In this adaptation of a literary work to the scene, the actors struggle with the movement of the words and their suitability for the drama. This film, instead of portraying the show creation process, sought a view from afar in order to enhance a point of view on the borders between art and life.