
M. Blash
Actor
Movies6
Movie6.8DramaA near-penniless drifter's journey to Alaska in search of work is interrupted when she loses her dog while attempting to shoplift food for it.
Wendy and Lucy
2008 · 372 votes
Movie6.5DramaCrimeA teenage skateboarder becomes suspected of being connected with a security guard who suffered a brutal death in a skate park called "Paranoid Park".
Paranoid Park
2007 · 625 votes
Movie6.1FantasyA girl dreams of becoming a kitten.
Kitty
2016 · 10 votes
Movie6.0ComedyTemp Stop, as the title implies, has a disjunctive quality that separates it from the other parts of Re'Search Wait'S. As if emanating from the basement of Any Ever, each scene plays like a hidden-away epilogue rendering characters comparatively surreal--in part because they are often straightforward and ordinary. The movie opens with a less omnipotent Y-Ready barking an abusive monologue to hypothetical subservients and bidding Able to use The Re'Search to brainwash JJ into a duplicate of Wait. Able's work alter ego, Past Jessica, is battered by her office. She is out of time, and by that extension, timelessness in Any Ever is not equated with limitlessness but with total lack: no time.
Temp Stop
2010 · 1 votes
Movie6.1Science FictionComedyThe film focuses on the life of Jenny who has, according to many of the other characters, become too “left-of-center” while pursuing her interests.
Center Jenny
2013 · 7 votes
Movie10.0ComedyScience FictionTrecartin returns to his conception of family-as-business-enterprise, casting parent figures as managers and executives on one end of the spectrum, estranged children as freelancers on the other. The director plays four sisters named Ceader, Britt, Adobe and Deno, the boundaries of whom are indistinct. It is difficult to tell where one sister ends and the next begins. The sisters' questing—for identity, for romance, etc.—leads them on an episodic series of adventures, several of which are defined as "premises." A Trecartin premise plays out as a predetermined situation where the character initiating it has already set the tone, terms, and trajectory of the experience in their mind. The actual, lived event serves only as the shading-in of the outline.
Sibling Topics (Section A)
2009 · 1 votes