Seijun Suzuki

Kato is a small time TV producer. He has a wife Masako, and a young son Taro. Kato also has a friend Yamazaki who he knew since college. Yamazaki has a girl friend Riko who lives with her younger sister Yuko who's an actress. Yamazaki is a lyric writer/womanizer and he starts to have an affair with Masako, but he's still going out with Riko.

Kenichi is a half-Japanese, half-Chinese man of the underworld. You can sell him anything except children's organs. His domain is in Kabukicho, a gangland controlled by various Shanghai gangs intent on taking control. His former partner-in-crime, Fu-Chun, is rumored to have returned to Kabukicho, having fled years earlier after killing the number two of gangland boss, Yuan. Yuan wants to get even and attempts to do so by using Kenichi.

When an artist dies, the official cause of death is judged to be a stroke, but his daughter suspects foul play. She recruits the services of an assassin, who by chance encounters an old friend...

A story about the friendship of the sons of two political rivals.

A tragic love story set in a mountain village in the Showa era, waiting for a fiancé who died in the war, but it is more than that. It breaks through the existing concept of a film with a beginning, middle, and end, and like Fellini or Godard... Hara Masato's cosmic film philosophy on the theme of "human history and media" unfolds like a symphony.

A Japanese businessman travels to Iceland and has a series of misadventures while venturing to a remote area to perform a traditional burial ritual where his parents died several years back.

Seijun Suzuki became a cinema legend in the 1960s with a handful of pop-art films. So how can you make a portrait of this iconoclastic director without also adopting a 'style to kill' documentary convention, as well as testimonies from a variety of leading figures in contemporary Japanese and international filmmakers.

Existential study on a newly unemployed factory worker who silently moves through the city, unknowingly influencing other people's lives.

Rain in Tokyo area. Two girls holed up in their tiny apartment. They go out, steal cabbages, hit a supermarket and kill a cow. The sun comes out and changes everything.

Based on a true story. Shiro, a dog who lives in an inn on Akajima in Okinawa, swims to the opposite shore on Zamami to see his love, a dog named Marilyn. Shiro is portrayed by the real-life Shiro.

The story revolves around Ogino, who is in the last year of his medical studies. Between lectures, exams, on field training, his commitment as a pro-reformist militant and his girlfriend, Ogino is starting to wonder if he's really cut out to be a doctor.

Recently appointed dean at a film school, Kimuro Hajime develops a special concern for one of his students, Daisuke. The brash, headstrong young man is fixated on with the Second World War. He feels a sense of frustration at the irrational sacrifice of young people's lives during the war six decades earlier. Daisuke finds that he can vent his frustrations to Kimuro, who experienced the war firsthand. Kimuro's wife, Emiko, is also troubled by memories of the war. She lost a loved one in the war and has never gotten over it. And Kimuro himself also has something from the past that he has yet to face. He believes that the burden of his unresolved past will eventually be the death of him. When Daisuke's neurosis causes him to quit school, life changes for all three of them.

Miyako, a young female embalmer, is called to restore the body of a recent suicide. While performing her duties, she pricks herself on a needle buried deep within the boy’s flesh. When the head is stolen during the night, Miyako begins a desperate search to recover it and finish her work, encountering organ harvesting, religious cults, and dark secrets from her own past along the way.

Following a scene where a young boy falls in love with the title character, only to have his heart broken by her, the film introduces us to three young men who are all in Milocrorze thrall, either literally or figuratively.

Three cinephile university students have a go at making their own Super-8 film.

Pocky, an upbeat high-schooler, is told she will die in three days by a psychic whose predictions always come true. Along the way, she talks about boyfriends with her two friends, meets a strange boy with heart disease, and regularly bumps into a serial bomber.

A short documentary primarily focused on Nikkatsu's Roman Porno series.

Works commemorating the 70th anniversary of the founding of Japan mapping Supervision Association

Fu and Suzu are two hedonist girls who decide to take to the road. They set off on a journey to visit the tomb of a small pig by name Pupu. On the way, they meet Suzu's ex-lover, a gay couple, and a golf player; always getting in trouble. But whenever trouble comes, 'Trunk Man' the hero appears to save them.

Inspired by American TV movies like "Hitchcock Theater" and "The Twilight Zone," the show features multiple works with Tamori as the storyteller and actors as the main characters. While horror and supernatural themes are predominant, a variety of genres like comedy and drama are also produced. Most episodes, however, have a bad ending.

The eleventh entry in the Toei Fushigi Comedy Series. Yuko Murikami stops by a shrine to pray for the new school year. Yuko accidentally breaks the bell and drops it on top of a turtle's head. Because she is the only person that stopped by the shrine in a long time, he grants her the power to become a superheroine, based on another ancient deity. It is her job to protect her neighborhood from the threats it faces. By yelling "Cosmo Magic! Métamorphose!!", she transforms into the Masked Beauty Poitrine!