Hideaki Washio

The Master's late-night diner welcomes a woman troubled by funeral fans, an elderly scam victim, and a noodle delivery man struggling with love.

A restaurant opens at midnight. Both the menu offerings and personality of the owner draw a series of flawed patrons including Tamako, whose boyfriend has passed away, live-in worker Michiru, and ruckus-raising Kenzo.

Neurosurgeon Koichi uses an experimental technique to enter the brain of his beloved Atsumi, who is in a coma after attempting suicide. In his quest, Koichi drifts steadily further into the sweltering marshes of the spirit. It is soon no longer clear what is real and what is not.

When Suei was little, his mother had an affair with a young man who lived next door. Suei's mother and the young man killed themselves by using dynamite. After Suei graduated from high school, he worked at a factory before quitting his job. He then went to Tokyo and began working in the erotic magazine industry. Suei eventually became the chief editor of a famous erotic magazine in the 1980's.

Hitori Gekidan gets off a crew bus, assuming he will participate in a travel program. He overhears people in the monitoring room announce the beginning of the "24 Hour Kiss Pressure Game." He is then assaulted by attractive actresses pleading for a kiss as well as deadly mercenaries and zombies attempting to kidnap him. Soon he grasps his character and situation. He is Shogo Kawashima aka The Desert Reaper and he is on the run with Aoi Tsukasa (Aoi Tsukasa). For unknown reasons, the Red Shadow, who raised him, wants him back.

Suzuki Koichi, a 30-something hikikomori shut-in, allows his mother to dotingly tend to his needs. When she discovers that Koichi has killed himself, the shock is so great she loses consciousness and her memory of that day.

Nana is 19 and lives in a corner of Tokyo. Her birth mother and Marin, a girl the same age who she loves, were the only people she could trust. Nana confronts them in her yearning for love, but the world does not give it to her. With her whole life ahead of her, Nana struggles, suffers, and begins a search for the true meaning of love.

The life story of a treasure hunter who lives in the countryside of Gunma in Japan. He is pure and kind, but has no communication skills and has a mind of his own. His sole friend is his co-worker. This man has never had sex. The friends find a robot one day. The robot wants to stay with the men. A bond is formed. The men resolve to change their lives.

Shiori Yamauchi finds a letter in her mailbox addressed to a Reiko Miura, who seems to be the previous occupant of her condo unit. She opens the letter out of curiosity. In it were the words, "I want to see you. I love you." A few days later, another letter arrived with the words, "I'll come and see you today after a long time." Scared, Shiori did an internet search for "Reiko Miura" and found out that she was the victim of a stalker murder that happened a year and a half ago.

Saike, Kazuki, and Takeo were abused by their respective parents and did not go to school. They stayed together at a youth detention center. To survive, these three young men commit robbery and burglary against criminal groups.

Kenji is the youngest member of a team in charge of building a large shopping center. But, to create the new complex, an old dance floor must be destroyed, and every effort to tear down the building is boycotted by a mysterious power. In fact, there is a rumor that the place is cursed, and the construction team thought about hiring exorcists, but none of them seems to find the solution.

'Roadside Fugitive' follows Mighty's non-successful story after '8,000 Miles 1,' at the end of which he parts company with Ikku and Tom, members of his hip hop group, 'Sho-Gung,' and leaves for Tokyo. Will Mighty be able to keep faith in the tiny little soul burning somewhere inside him?

Sisterhood portrays a current reality in Japan, showing the vision and lives of different people, such as a nude model, a music artist, a student and other diverse individuals who give their opinions in front of the camera.

In an otherwise mundane diner open from midnight to 7 a.m., there is no menu – but the chef cooks anything his customers want. Each episode is about different a different customer, as they find simple yet profound connections with one another based on their shared love of a particular dish.