Etty Fraser

Durval and his mother Carmita live at the back of a record store they own in São Paulo specializing in vinyl records. They lead a boring and unattractive life, until the day Durval hires a maid, Celia, to help his mother with the housekeeping. However, on her second day, Celia goes away leaving a 5-year-old child behind, Kiki, and a note promising to be back in a couple of days. Durval and Celia are charmed by the child at first, but soon they see some sad news about Celia and Kiki on TV that change the whole situation.

Documentary wich tries to capture the iconoclastic spirit of the 1922 Week of Modern Art, to tell about the beginning of cinema made in the city of São Paulo.

Carlos is a young man from the São Paulo middle class who works for a big company during a time when foreign automobile industries were settling in Brazil. Shortly after, he accepts a job at a factory that makes automobile parts, where he becomes manager. To a certain extent, he is a family man who works hard, earns well and lives unsatisfied. Without any prospects in his life to change the condition he rejects, his last resort is escaping.

Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half.

Após perder a esposa e a caminho do suicídio, um homem se depara com O Livro dos Espíritos e começa uma jornada de transformação interior rumo aos mistérios da vida espiritual e suas influências no mundo material.

A woman asks her boyfriend for his mother's heart as a proof of love. Another, a kleptomaniac, has an affair with a TV professional. And a young man becomes a sex symbol after an advertising campaign.

Thirteen people from different parts of the world are chosen by an English nobleman to share his fortune. After his passing, they gather in his castle. However, the heirs begin to be murdered, one by one.

Eleven small stories, loving chronicles about Rio de Janeiro and its people, written by some of the best Brazilian writers of the time.

Cristina still lives with her mother and wants to find her true love. She looks for help in a matrimonial agency, that arranges a meeting between her and Paulo. She likes the guy, but Paulo doesn't seem too enthusiastic. As time goes by, Chico, the owner of the agency, feels he is becoming too fond of Cristina...

Juliano is a millionaire who leads a boring life amidst the facilities that money provides him. One day, he decides to change his routine and associates with a mad scientist, Professor Kunz, who invents a magic potion, a drug that releases the other side of the personality of those who consume it. Juliano becomes a guinea pig and tries the potion, transforming into the beautiful Juliana (Vera Fischer). However, the effects of the new drug will cause many confusions between the millionaire and the crazy professor, creating complicated situations for both of them.

In São Paulo, Brazil, the lonely 40-something guitar teacher Baby lives a tedious life in a low middle-class apartment. She is addicted to her only companions: cigarettes. Baby has a constant conflict with her two sisters, over a couch she inherited from their deceased aunt. When Max, a restaurant musician, moves to the next door apartment, Baby has a crush on him and sees a chance to have a life again. Soon they start having a love affair, and Baby decides to quit smoking. However, her abstinence will be tough to deal with, when she notices Max still misses his ex-wife.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

A beautiful and poor woman buys herself a rich husband after inheriting a great deal of money.

Júlia and Pedro suffer from the cruelty of their grandmother, Bia Falcão. Júlia runs the luxurious Belíssima factory and falls in love with Nikos, a friend of her sister-in-law Vitória.

Albert, the Rockefeller is a Brazilian telenovela produced by TV Tupi and aired from November 4, 1968 to November 30, 1969. It was created by Cassiano Gabus Mendes, written by Bráulio Pedroso and directed by Lima Duarte and Walter Avancini.

The former expert in fireworks, José Clementino gets a job as a bricklayer in the construction of a magnificent shopping center, one of the many works carried out by the construction engineer, César Toledo. During the feast of the ridge, where engineers and workers gather to celebrate the laying of the slab work, Clementino's wife flirts with several men. At one point, when he gives for the missing woman, Mason goes looking for her and is in a far corner of the building having sex with two men. Overcome with rage, Clementino kills his wife and one of the men paddle strokes. The family hears the screams and Toledo contains Clementino, with the help of a group of workers. Shocked by the violence of the employee, the employer called the police, and even later, an indictment against him at trial. His testimony is crucial to the conviction of Clementino, to discover their terrible crimes and audacious, which is a court suspicious.

Uma Rosa com Amor is a Brazilian telenovela produced and broadcast by SBT from March 1 to August 16, 2010. It is a remake of the 1972 telenovela of the same name originally produced by TV Globo, created by Vicente Sesso. Adapted by Tiago Santiago, with collaboration from Renata Dias Gomes, Miguel Paiva, Maria Cláudia Oliveira, and Solange Castro Neves, and directed by Del Rangel and Luiz Antônio Piá, the telenovela stars Carla Marins, Cláudio Lins, Jussara Freire, Edney Giovenazzi, and Betty Faria. The story follows Serafina Rosa Petroni, a humble and romantic secretary who dreams of finding true love. After entering into a marriage of convenience with Claude Antoine, a French businessman, to help him solve his problems with Brazilian bureaucracy, the two begin a complicated relationship. Between misunderstandings, family conflicts, secrets, and differences in social background, they discover that a relationship built on an agreement can turn into genuine love.

The irreverent Dulcinéa struggles to keep her revue theater, *Mambembe*, afloat; the building itself belongs to the traditional Maldonado family. The patriarch, Salvador Maldonado—a conservative man—keeps a tight rein on the clan, maintaining control over both the business and his children: Joana, an elegant and snobbish woman who is the staunchest defender of the views held by Pops, as the children call him; Téo, who has always silently submitted to the old man's high-handedness; Walter, dominated by his older sister and his father's favorite; and Lalucha, the youngest, a film student who challenges the status quo and rebels against the family's stuffy conservatism.

The show features Lucas Silva e Silva, a boy who earns a recorder from his paternal grandfather, Orlando, at the age of 10. Amid the typical problems of moving from childhood to adolescence, Lucas creates stories on the tape recorder from how he would like things to be. He lives at his grandfather's house with his parents, Rogerio, a teacher who works out for three jobs and Carolina, who works in a boutique; the older sister, Juliana; and maid Rosa, who dates Marcelo and talks to broadcaster Ney Nunes on her radio.

The series Companhias do Teatro Brasileiro (Brazilian Theater Companies) offers a documentary overview of the evolution of theatrical art in Brazil. The history of Brazilian theater is told through the testimonies of artists, historians, and researchers. Drawing on extensive archival material—including photographs, as well as audiovisual and audio recordings—the series revisits influential companies and groups such as Cia. João Caetano, Teatro Brasileiro de Comédia, Teatro Experimental do Negro, Teatro Oficina, and Grupo Galpão. Across 15 episodes, the series showcases these iconic groups, highlighting their artistic styles, repertoires, and the work of their actors and directors.