Laurent Gerra

Paris 1930. Paul has only ever had one and the same horizon: the high walls of the orphanage, an austere building in the Parisian working class suburbs. Entrusted to a joyful country woman, Célestine, and her husband, Borel, the rather stiff gamekeeper of a vast estate in Sologne, the city child, recalcitrant and stubborn, arrives in a mysterious and disturbing world, that of a sovereign and wild region. The huge forest, misty ponds, heaths, and fields all belong to the Count de la Fresnaye, an elderly taciturn man who lives alone in his manor.

In 1963, Esther gives birth to Roland, the youngest of a large family. Roland is born with a club foot that prevents him from standing. Against everyone's advice, she promises her son that he will walk like the others and that he will have a fabulous life. From then on, Esther will do everything in her power to keep this promise. Through decades of trials and miracles of life, this film is the story of a true, funny and moving story, that of an incredible destiny and the greatest love there is: that of a mother for her child.

In one of those wonderful coincidences of history, lumière, the French word for “light,” was also the last name of brothers Auguste and Louis, whose brilliant invention, the cinematograph, helped to inaugurate the most beloved art form of the last 130 years. Institute Lumière director Thierry Frémaux uses Lumière, Le Cinema! to guide the viewer through over a hundred shorts—some famous, some forgotten, some never before seen—directed by Lumière and company. In the process, Frémaux illuminates how the brothers employed the camera as a creative instrument as they (and their operators) mastered framing, staging, and subject selection for quotidian and exotic microdocumentaries as well as the first ever fictional motion pictures. The result is not only a glorious re(telling) of the genesis of cinema but a profound meditation on the beautiful world captured—and the mysterious world imagined—by the Lumières.

In may 1940, the German troops enter France. Frightened by the progress of the enemy, the people of a small village of Pas-de-Calais decide on the recommendations of the prefecture, to give up everything to go on the road, fleeing to the coast.

On his birthday, Meyer receives a curious gift: a wooden sculpture of a devil with a demonic and mischievous appearance. Meyer smiles, recognizing it as a typical art object from Bessans, a village in Savoie. He calls Constance, certain that she sent him the devil for his birthday. But he's in for a nasty surprise: not only did Constance not know it was his birthday, but she's also dealing with a frozen corpse found on the French side of the border, locked in an isolated chapel in the mountains. In the victim's backpack is a carved wooden devil. It's not a murder per se, but how can anyone be sure? Did the victim lock himself in by accident, or did the door close and then jam shut after a gust of wind? Having received the same devil, Meyer decides to get involved in the investigation...

It's peak season at Morzine-Avoriaz ski resort. French high mountain state police officer Constance Vivier and Swiss cop Andreas Meyer investigate the suspect death of a teenager, found freezing on a slope after an alcohol coma.

Laurent Gerra's show recorded on December 14, 2002 at the Olympia.

“My name is Laurent, I'm 5 years old, and I'm going to do my impressions for you.” This line, proudly spoken in 1972 by a little boy into his parents' microphone, echoes Laurent Gerra's new show. Through this brand-new show, Laurent Gerra invites you into his dressing room and presents his take on current events in the arts, culture, and politics. Accompanied by six musicians, Laurent Gerra uses his sharp wit to take us on a journey through the last five decades—especially our own—and, as he turns 50, promises us one of his finest performances yet!

John Dubury, a fifty-year-old man disappointed by his life, sees his wife die from a fatal fall while they are on vacation together. And while an accident is initially thought to be the cause of death, suspicions soon turn to John... especially since a witness claims to have seen him push his wife.

Alongside his impertinent puppet, ventriloquist Jeff Panacloc celebrates Christmas with humour, surrounded by personalities from music, cinema and TV hosts.

Every day live on FRANCE 5, Anne-Élisabeth Lemoine and her team receive those who make the news. In the second part, the program welcomes, around a meal prepared by a qualified chef, artists in promotion.

Télématin is a French breakfast television news show, broadcast on France 2 since January 7, 1985. It is broadcast in Metropolitan France weekdays from 6:30 to 9:00 am CET. TV5 broadcast the show in Canada in its entirety until September 2011: it now shows a 90 minute version between 6:30 and 8:00 am Eastern Time, when the French original version is now 2h30 long. Télématin is hosted by William Leymergie. The show is daily seen by around 40% of the French morning audience, a very high percentage for French TV. In Metropolitan France, the newscasts are presented at 7:00, 7:30 and 8:00, with newsflashes at 6:30 and 8:50, and two press reviews at 7:20 and 8:30. The 6:30, 7:30 and 8:50 newscasts are usually presented by a female reader and the hourly newscasts by a male. The usual readers are Nathanaël de Rinquesen, Sophie Le Saint, Julien Benedetto, Sophie Gastrain, Patrice Romedenne and Frédéric Vion.

La Revue de presse (formerly La Revue de presse des Deux Ânes) is a French humorous television talk show, broadcast since October 17, 2007 on Paris Première. It is hosted by Jérôme de Verdière, and involves several columnists and impersonators.

"Chez Maupassant" is a French anthology television series based on short stories by Guy de Maupassant. Created by Gérard Jourd'hui and Gaëlle Girre, it ran on France 2 in three seasons in 2007, 2008 and 2011. It consists of a total of 24 episodes of which half are 60 minutes long and half are 30 minutes.

France, 1914. The destinies of four women intersect : Marguerite, a mysterious Parisian prostitute, Caroline, propelled to the head of the family factory, Agnes, Mother Superior of a requisitioned convent and Suzanne, a feminist nurse.

La Boîte à secrets: confidences, emotion and entertainment. Faustine Bollaert takes over the helm of this new show on France 3. She will receive 3 guests who will relive their greatest personal and professional secrets.