Hermann Mayer-Falkow

An enhanced and sentimentalized story of love, honor, rivalry, and retreat. The traditional laws of the patriarchal environment and severe conflicts of the heart. The action takes place in Herzegovina and Stolac, Bosnia. The film depicts the Bosnjak from a German point of view.

A love story between officer von Warp coming from a wealthy family and salesgirl Therese. When the social rules of the time would force the officer to resign from service in order to marry Therese the situation becomes tense.

A small banking family is put to the test: Brigitte, the wife of the banker Sparrenberg, has a secret: she was once the lover of the fraudster Baron Gaffris, who once used her to get close to well-off businessmen. Now Gaffris is trying to use her to trick her husband. After a fight between Brigitte and Gaffris, Brigitte’s daughter Ina seeks out the baron in an attempt to help her mother. Afterwards, the baron’s suddenly found dead on the floor. Brigitte takes all the blame, goes to the cops and admits to having stabbed Gaffris.

In Stockholm a young female law student investigates a series of jewel thefts that have been baffling the police.

Four people. Four destinies. A dangerous secret.

Peter Kolle, a low-level clerk, and his wife Sabine have a happy marriage, but Peter lacks the necessary funds. Therefore, he secretly works on his invention at a friend's house at night. When his wife finds out, she angrily leaves their apartment and travels to Berlin to see her brother Alphons, to whom Peter had promised at their wedding that he would give up on the invention and to whom he had therefore given all the paperwork. Soon, they both long for each other again: Sabine travels home, Peter to Berlin. And eventually, they meet.

East Germany's contribution to the 1957 Cannes Film Festival was the wartime melodrama Betrogen bis zum Juengsten Tag. Had the film been released in the U.S., the title would probably have translated to Duped Till the Last. The film condemns the Nazi mindset by concentrating on a particularly odious cover-up. When his son is involved in the accidental killing of a girl, a Gestapo general pulls strings to save the boy from prosecution. The general manages to pin the blame for the killing on a group of Russians, whereupon he gives the men under his command carte blanche to round up and execute as many innocent Russians as they wish. This act of brutality is contrasted with the pangs of guilt suffered by the son and his co-conspirators.

Two German soldiers in the Norwegian Campaign.

Sylva Varescu is an operetta singer performing Kálmán's Die Czardasfürstin through Europe with great success. Before going to Vienna she meets handsome Prinz Weylerstein and they fall in love. Offered a contract for America, she doubts until she finds out that he is already engaged to a countess.

A soldier thinks about leaving the army for a woman. His friends try to stop him.

Carola has been running the family-owned circus alone since her husband’s death, but she suddenly finds herself at odds with her three adult sons who are also performance artists and want to have a say in how the business is run. The family discord leads Carola to turn her back on the circus, leaving the three inexperienced sons in charge. This turn of events forces the family to learn to work together or face bankruptcy.

When Bartos, the director of the Odeon variety theater, cancels an artist at short notice, he hires the Terrys out of necessity, whose parents were successful variety artists, but who had not yet received an engagement themselves. Both are supported by Tobs, a friend of their parents. While blonde Mara Terry arrives punctually for the first rehearsal, her dark-haired sister Kora is late like a diva and acts aloof and snippy. At their first performance together the next day, Kora is overtired from partying the night before. During a dangerous act in which she has to balance her upside-down sister on her head, she becomes careless...

Struggle for the Matterhorn (German: Der Kampf ums Matterhorn) is a 1928 German-Swiss silent drama film co-directed by Mario Bonnard and Nunzio Malasomma and starring Luis Trenker, Marcella Albani, and Alexandra Schmitt. The film is part of the popular cycle of mountain films of the 1920s and 1930s. Art direction was by Heinrich Richter. Based on a novel by Carl Haensel, the film depicts the battle between British and Italian climbers to be the first to climb the Matterhorn. Trenker later remade the film as The Challenge in 1938.

Opera singer Maria Seydlitz has just left her fiancé because he put her between the choice of husband or profession when she receives a telegram from New York: an unknown person hires her for a large fee at the theater Maria accepts the offer... The film is based on the novel of the same name by Hans Rudolf Berndorff. The film was shot from July to September 1936 on the Neubabelsberg outdoor area and on the passenger ship "Bremen“. He experienced on the 15th. Its premiere in January 1937 in Berlin's Gloria-Palast.

Counterfeit money is discovered near the Bodensee. The investigators for the "Reichszentrale für Falschmünzerei" get wind of it and open up an investigation. When the band of counterfeiters try to recruit a young graphic artist into their ranks, he quickly rats on them to the police. The investigation soon leads to Switzerland, where the nest of criminals is stormed with the help of the Swiss police.

Marianne is an accountant, but since she is so pretty the employment agency sends her to the theater. There, Max's gaffer falls in love with Marianne and persuades her to stay at the theater. Once he has to defend her against a professional boxer who harasses her. Although Max loses his position, but receives an offer from Box Manager Schmidtchen. When Max learns that Marianne is engaged, he goes to Schmidtchen's boxing school in Hamburg.

A British industrialist offers a job to a German who kindly rescued him when they were pilots on opposite sides of the Great War, but his wife becomes attracted to the foreigner. Complications ensue.

A Prokurist in a bank is suspected of murdering her boss and refuses to take the stand in her defense, because she believes she has to cover for the boss' nephew.

An opera tenor replaces a humble performer in a honky tonk show and wins the heart of the soprano.

Albert Hauptmann is an out of work waiter in Cologne who is often confused with a former Captain of the Nazi Army. Albert uses this to his advantage and becomes the Director of the Montan Corporation, and a member of the West German Parliament. Herr Karjanke, the real Captain, learns of Albert’s ruse, and wants to claim his "rightful" position in Parliament. But Karjanke cannot come forward until his politicking "Doppelganger" succeeds in passing an amnesty law for war criminals. When Albert is finally brought before a judge on charges of fraud, he learns that this own amnesty law does not apply to him.

Endstation offers the American viewer tantalizing glimpses of busy, bustling mid-1930s Vienna. Otherwise, this minor yarn of an amorous streetcar conductor is strictly formula material. The film benefits from the star power of Paul Horbiger, resplendently garbed in an elaborate conductor's uniform. Also worth noting is the performance of Maria Andergest as the woebegone hatmaker whose fate is inextricably linked with hero Horbiger. Incidentally though the direction is credited with one E. W. Emo, Paul Horbiger actually called most of the shots on Endstation.

The opera singer Maddalena had been cast out by her family after they learned she was to bear the child of a banker, von Keller, who had seduced and abandoned her. Her return to her native city has her father warn her to remain away, because she is a threat to her family, and her sister Marie's wedding. However, von Keller threatens the reputation of her family with an underhanded banking scheme. He commits suicide, and Maddalena is reconciled with her family.