John Bown

A quirky spy show of the adventures of eccentrically suave British Agent John Steed and his predominantly female partners. Jonathan Steed - an urbane, proper gentleman spy - teams with various assistants throughout the series' run, including Dr. David Keel, Cathy Gale, Emma Peel and Tara King, to repeatedly save the world from diabolical schemes plotted by equally diabolical evil-doers (among them robots and man-eating monsters).

Crown Court is an afternoon television courtroom drama produced by Granada Television for the ITV network that ran from 1972, when the Crown Court system replaced Assize courts and Quarter sessions in the legal system of England and Wales, to 1984.

Simon Templar is The Saint, a handsome, sophisticated, debonair, modern-day Robin Hood who recovers ill-gotten wealth and redistributes it to those in need.

After a plane carrying three Agents crashes in the Himalayas, they are rescued by an advanced civilisation secretly living in Tibet who grant them enhanced versions of the ordinary five senses, and intellectual and physical abilities.

BBC series based on the novels by Georges Simenon which starred Rupert Davies as Inspector Maigret, a French police detective who preferred to watch and listen in order to solve crimes. The series ran from 1960-63 on British television.

A group of convicts and outcasts fight a guerrilla war against the totalitarian Terran Federation from a highly advanced alien spaceship.

Van der Valk is a British television series that was produced by Thames Television for the ITV network. It starred Barry Foster in the title role as Dutch detective Commissaris "Piet" van der Valk. Based on the characters and atmosphere of the novels of Nicolas Freeling, the first series was shown in 1972.

The Chief is a British crime drama transmitted on ITV from 20 April 1990 to 16 June 1995. Produced by Anglia Television, it centred on the politics at the top of a typical English police force in its continual battle to solve the problems the times, in this case the fictional Eastland of East Anglia.

The Main Chance was a British television series which first aired on ITV between 1969,1970,1972 and 1975. A drama, it depicts the sudden transformation in the life of solicitor David Main who relocates from London to Leeds.

Doomwatch is a British science fiction television programme produced by the BBC, which ran on BBC 1 between 1970 and 1972. The series was set in the then present-day, and dealt with a scientific government agency led by Doctor Spencer Quist, responsible for investigating and combating various ecological and technological dangers. The series was followed by a film adaptation produced by Tigon British Film Productions and released in 1972, and a revival TV film was broadcast on Channel 5 in 1999.

Sergeant Cork is a British detective television series which first aired between 1963 and 1968 on ITV. It was a police procedural show that followed the efforts of two police officers and their battle against crime in Victorian London. In all 66 hour-long episodes were aired during the five-year run, although the last episode was not broadcast until January 1968, 16 months after the others. Journalist Tom Sutcliffe has credited it as a first example of the use of the Victorian-era policeman in a television crime series. A 1969 review in The Age opined that rather than suspense, the strengths of the series were its "excellent period settings and wonderfully thick pea-soupers" which "add up to splendid evocative stuff", as well as the performance of star John Barrie. At no time during the whole series is Sergeant Cork's first name given.

An anthology of single plays offering up adaptations of either of prominent stage plays or novels.

Sir Paul Berowne - a prominent Government Minister - turns to his old friend Adam Dalgleish following a series of threatening letters delivered to his London home. The minister's wife is in an adulterous affair with a prominent surgeon and she makes no secret of it. Berowne's only daughter is involved in left-wing politics and rejects her conservative father. Adding to his woes, his own mother favoured her son who was killed in an IRA terrorist ambush over Paul. The informal investigation has barely began when Dalgliesh is faced with a series of bizarre deaths that turn the case into an urgent assignment. —DumbeBlonde

Scientist Doctor Who accidentally activates his new invention, the Tardis, a time machine disguised as a police telephone box. Who, his two granddaughters Barbara and Susan, and Barbara's boyfriend Ian are transported through time and space to the planet Skaro, where a peaceful race of Thals are under threat of nuclear attack from the planet's other inhabitants: the robotic mutant Daleks.

It took Peggy Heller a long time to recover from the trauma of a brutal physical assault, suffered in her youth. When she married Robert, he provided her with the love and reassurance she craved for and the two settled down in a pretty house in the grounds of the public school where Robert was a master. But the headmaster of the school is not what he seems and Peggy is convinced he means to harm her - is her fear a figment of her tortured imagination or are there forces at work that intend to manipulate her anxieties with fatal consequences?

Macbeth is a 1978 videotaped version of Trevor Nunn's Royal Shakespeare Company production of the play by William Shakespeare. Produced by Thames Television, it features Ian McKellen as Macbeth and Judi Dench as Lady Macbeth. The TV version was directed by Philip Casson. The original stage production was performed at The Other Place, the RSC's small studio theatre in Stratford-upon-Avon. It had been performed in the round before small audiences, with a bare stage and simple costuming. The recording preserves this style: the actors perform on a circular set and with a mostly black background changes of setting are indicated only by lighting changes.

Faced with extinction, two park rangers are forced to defend the national park against hordes of rampaging orcs. Ancient and long forgotten, these orcs are unleashed from the depths of the mountains, and they won't stop until we're all dead.

Following World War II in peacetime Scotland, brigade headquarters replaces commanding officer Major Jock Sinclair, a boisterous battalion leader, with the strict, temperamental Lieutenant Colonel Basil Barrow. Resentful toward his replacement, Sinclair undermines Barrow's authority and damages his successor's reputation among the soldiers. Barrow faces an uphill battle in regaining the discipline and respect of his battalion.

After a spate of murders, the villagers of Schtettel kill the depraved perpetrator, Count Mitterhouse. Fifteen years later the Circus of Nights appeared in the plague-ridden village and its performers include Mitterhouse's mistress, children and cousins. They have come to Schtettel to fulfil the Count's last words, an evil, vicious curse of death and destruction on those who participated in his impaling. The children of Schtettel become the targets for a brutal and devastating revenge as the Vampire Circus rehearses for its most deadly performance.

Boris Turganev (Murray) is a Russian scientist who has absconded from a Communist prison in an attempt to achieve a better life working for the British. As Boris struggles to make his superiors believe he is there to work and not to spy for the Russians, an office romance blossoms that could put his mission in jeopardy.

Marcelle de Barthas is young French widow, who since her husband’s death some seven years previously, has lived a secluded life in her country house, with her four children. The eldest one, Emmy, is a beautiful and pure young girl of seventeen, who tentatively believes she has a calling to the religious life. The second child, Bertrand, aged fifteen, has been sent to England for an exchange holiday with a young English boy, Harry Fanning, and when the play opens, the French children are excitedly awaiting his arrival. Also living with the family is a French governess, and a tutor, Blaise Lebel. Lebel has a sombre power over the family, and it is the ‘intrusion’ of Harry that sets in motion in him a wave of resentment and fear.