Cléa Simões

Set to the intoxicating rhythms of Brazil, "Woman on Top" is a spicy, sexy comedy about the magic of food, love and music. Meet Isabella, a sultry enchantress born with the special gift of melting the palates and hearts of men everywhere. When she decides to break free from her rocky marriage and the stifling kitchen of her husband's restaurant in Brazil, she spirits off to San Francisco in pursuit of her dreams of a real culinary career.

Three American college students, Dick, his sister Jessica, and her British boyfriend Kevin, are traveling through Brazil on vacation when Dick, after attending a bizarre voodoo ceremony, develops strange powers. When their jeep breaks down near a small plantation in the jungle outside Rio, the site of a former slave rebellion 150 years ago, Dick uses his powers to raise the dead of six executed Negro slaves whom target the college kids and the residents of the plantation to seek revenge for their deaths

A writer who specializes in exposing fake witchcraft journeys to Brazil to investigate a voodoo cult.

Three segments with stories about the sexual relationships between adolescent boys and the maids who work at their homes.

A documentary film about the taboos, stereotypes, and struggles of black actors in Brazilian television "soaps". Based on his own memories and on a sturdy body of research evidence, the director analyses race relations in Brazilian soap operas, calling attention to their likely influence on Brazilian African-Americans' identity-forming processes.

Pedro, a poor Portuguese immigrant, comes to Brazil to try to change his life, but ends up getting in trouble. He falls in love with the wife of one of his best friends and marries her; soon after, she cheats on him.

Jorge de Oliveira is an Afro-Brazilian poet who works in a publicity agency in São Paulo. Torn between his rich white lovers and his black family and friends, Jorge's situation serves as a springboard to a discussion about racial issues in Brazil.

A Deusa Negra is a love story that spans two centuries. In 18th century Yorubaland, Prince Oluyole is taken prisoner in the course of internecine warfare fanned by overseas slave traders. He is sold into slavery in Brazil. In present day Nigeria, at his father's deathbed, the young Babatunde promises to go to Brazil and search for traces of their once-enslaved ancestors. Beginning with a Candomblé ritual, his journey takes him ever deeper into this culture and, in a dream-like sequence, affords him a deeper understanding of his ancestors' suffering and powers of resistance. Balogun effortlessly links present with past, real with magical worlds and discourse with trance. The hypnotic atmosphere is also heightened by the music of the Nigerian drummer Remi Kabaka, which plays with repetitive patterns and distortions.

Roberto, Pierre and Pedro are very different men, with very different life paths; However, one thing unites them: the three are suspected of having murdered Colonel Pacífico, the rich and powerful owner of the city of Parada de Deus, in the interior of the state of Minas Gerais. However, jail may be the least of his problems, as the colonel's brother is a bloodthirsty gunslinger looking for revenge.

After assaulting a Hollywood film crew, a group of residents of a community in Rio de Janeiro decided to produce a film that would express the reality of Brazil - with the theme of Inconfidência Mineira.

A couple do everything in order to stay together, against their families' wish.

The lawyer Roberto leaves his career and his fiancée behind to chase the criminals who killed his entire family in a brutal massacre.

A mature and successful woman, Helena becomes involved with Edu, who is twenty years her junior. She battles prejudice in order to live her love, but their romance fizzles out when she realizes that her daughter Camila has also fallen in love with him. Her dilemma grows even worse when she discovers that the girl has leukemia. Helena must disclose the real identity of Camila‘s father in order to try and find a compatible bone marrow donor. In order to save her, she decides to give up her new love and have another baby with her daughter‘s father.

A traffic accident causes four women's destinies to intertwine. In the series, the four enter a pact of revenge against the men who hit them and caused them to suffer. Auxiliadora struggled to help her husband Alcebíades prosper, but when he leaves her for a younger woman, is thrown out of the house. The shy Tatiana was engaged to Fortunato, who failed to show up at their wedding. The Babalu hurricane caught mechanic Raí in bed with another woman. Abigail, a preppy psychologist who is struggling in a failing marriage, decides superficially to continue it but revolts against her husband, Gustavo, who humiliates her in public at a congress. Gustavo has custody of Ângela, a girl who longs to know her true father, Bruno. Her mother died in the childbirth, traumatizing him.

Biology professor Edu is an idealistic man who moves with his son Lipe to the charming, fictional town of Nova Aliança, in Minas Gerais, in search of a better quality of life. Edu is engaged to Amelinha, daughter of the wealthy and greedy rancher João Mourão. But this relationship becomes unstable when Edu falls in love with the dreamy lawyer Clara, daughter of Lígia and the experienced lawyer Raul Gouveia. Edu is a single father and tries to always be present in Lipe's life, attempting to keep him away from his mother, Mariana, whose drug addiction prevented her from raising her son. Edu's future father-in-law, João Mourão, is the biggest businessman in Nova Aliança: he owns a farm, a dairy, a meatpacking plant, and a transportation company. João takes issue with Edu when he discovers that the young man is a strong defender of nature and environmental protection laws, which turns him into a rival in the fight for a stretch of virgin forest.

Marked by tragedy, Feliciano Júnior returns to Tubiacanga as Raimundo Flamel, driven by the desire to avenge the death of his parents.

Serafina is a romantic young woman who dreams of experiencing great love. Claude is a wealthy businessman who is in the country illegally. The two make a deal that will transform their lives.

Set in Poços de Caldas, Minas Gerais, the story shows how Pardal and Bebel, young people newly arrived in the city, fall in love. However, each hides their true identity from the other.

Unhappy in her marriage, Rachel decides to separate from her husband, the businessman Virgílio. Determined to turn her life around, she moves from Petrópolis to the southern zone of Rio de Janeiro with her daughter, Clara, and goes to live in her mother Laura's house in Ipanema. There she falls in love with the charming, but gruff, Heitor, owner of a mechanic shop. He lives with his sister, Irene, in an old townhouse, one of the main settings of the telenovela.

Sisters Cotinha, Das Graças, Rosário, and Dorzinha work as domestic servants in Rio de Janeiro and face difficulties in their struggle for a better life.

The soap opera follows the story of young Aurélia Camargo (Norma Blum), a girl who falls in love with the ambitious young journalist Fernando Seixas (Cláudio Marzo), who also falls in love with her, but rejects her when he receives an invitation to marry Adelaide (Fátima Freire), the daughter of Tavares do Amaral (Felipe Wagner), a wealthy banker. Feeling abandoned by her great love, Aurélia dreams of one day having him back. Until, when she turns 18, she is surprised with an inheritance from her grandfather, and becomes a very rich woman, allowing her to create her own rules for her life. However, for the society of the time, it was not good form for a woman to enjoy such independence. For this reason, Aurélia begins to rely on a distant relative, Dona Firmina Mascarenhas (Zilka Sallaberry), to act as her mother, and on the administrator Mr. Lemos (Alberto Perez), to guide her in business. So, she sees a great opportunity to have Fernando in her life again.

Mário Fofoca, a bungling detective, moves to Rio and, with the help of a friend, investigates cases—starting with a wife's suspected infidelity.

The miniseries tells the story of Leninha, who marries Paulo due to a financial agreement made by her father, Dílson. Her life changes when she meets her brother-in-law, Mauricio, during a trip to her husband's farm in the interior of Rio de Janeiro. The two fall in love and become lovers. Leninha then begins to experience a great conflict: social and moral rules impose on her the behavior of a good wife, faithful and companion, but her desire for Maurício speaks louder. Consuelo, mother of Paulo and Maurício, realizes what is happening and begins to antagonize her daughter-in-law. Upon discovering the betrayal, Paulo starts to hate his brother. At the end of the plot, Leninha decides to stay with her husband, and the couple happily announces that they will have a child. Mauricio despairs, but later recovers in Regina's arms.

Set in the early twentieth century and based on real facts, it tells the love story that led to the murder of one of the greatest Brazilian writers: Euclides da Cunha.