Sandayuu Dokumamushi

The landmark Japanese Tokusatsu TV series Ultraman became a massive social phenomenon upon its debut in 1966, reaching a staggering peak viewership rating of 42.8%. Six decades later, Tsuburaya Productions continues to introduce new entries into the Ultraman series, expanding its unique universe to a global audience across generations. This documentary brings together leading voices from the fields of cinema, Tokusatsu, and design. Witness profound testimonies from an international assembly of creators, including: Guillermo del Toro, Hirokazu Kore-eda, Hideo Kojima, Hideaki Anno, Shinji Higuchi, and Nicolas Winding Refn.

The Blue Pearl depicts the interplay between a young man from Tokyo and two ama (pearl divers; literally “women of the sea”) in a superstitious coastal town. Though raised within the same tradition-bound crucible, the two women – Noe and Riu – are portrayed as diametric opposites; the former meek but affectionate, the latter strong-willed but jaded by a tryst with metropolitan life.

Rudolf, a black stray cat, is suddenly separated from his beloved master. He unexpectedly wakes up in a long-distance truck that takes him to metropolis Tokyo. There, he meets Ippai-attena, a big boss cat feared by everyone in town. Unable to return home, Rudolf starts a life as a stray with Ippai-attena, but Ippai-attena isn't all that he seems to be.

The film consists of re-edited material from the original television series Ultraman. Episodes 1, 8, 26, and 27 were used for the film. They were narrated by Hikari Urano as an "Ultraman Documentary". Allegedly only one new scene was shot, and that some parts of the movie where shot in black and white for unknown reasons. The movie screened at the same time as the Toho movie King Kong Escapes.

Ultraman Shadow, Ultraman Zearth's most terrifying adversary yet, is brought to Earth by the murderous alien, Lady Benzen to be Ultraman Zearth's assassin. Ultraman Shadow is a warrior of darkness equipped with mysterious powers. Prepare to witness the ultimate showdown, colossus versus mighty colossus, the battle ground: Planet Earth!

Ultra-perky model likes single freedom but feels ryosai kenbo ("good wife, wise mother") pressure, exemplified by her bored-to-tears sister.

Akio Jissoji's Ultraman is a 1979 Japanese tokusatsu kaiju film directed by Akio Jissoji. It is a compilation film made up of scenes from Jissoji's episodes of the original Ultraman TV series.

Atsuko and Akira are a husband and wife duo with a daughter and a son. Atsuko is in charge of the retirement finances. She saves from money given to her by her husband and also earns money herself by working part-time. She stretches every yen by leading a frugal life. yet, expenses come up. These include their daughter's upcoming wedding and the funeral expenses of the husband's father. Then, and at exactly the worst time, the couple finds itself unemployed.

During World War II, the Japanese military established a secret underground laboratory in Tokyo. Three Olympic-level athletes were selected to undergo a process that would turn them into Jinra-go, superhuman armored soldiers. By March 1945, one of the soldiers had been completely transformed into the half man/half machine ultimate soldier called Mikadroid. But American B-29s firebomb the city and, while the two super soldiers manage to escape, Mikadroid and the lab are apparently destroyed. 45 years pass, Tokyo is rebuilt, and old secrets are forgotten. The site is now home to a complex that includes the Discoclub Layla. The disco’s patrons dance late into the night, unaware that a faulty basement generator has reactivated Mikadroid and the cyborg now prowls the basement levels, killing anyone in its path...

Set in 13th century Kyoto, where the Imperial court is under control of the clergy. Shijo was a peasant girl sold to a powerful daima as a concubine. Bored by her life in seclusion she starts an affair with State Councillor and the brother of a retired Emperor. Realising that she is only a plaything of the court, she becomes a nun and wanders the country.

On the road again, Torajiro meets a kindred spirit in Lily, a lounge singer.

Two outsiders start a relationship in a mining town.

When a giant monster attacks Japan, the country's only hope is a research assistant who's become monstrously big himself. But there might be a price.

Ultraman Zearth hails from The Land of Pikari in Nebula Z95. He has a big red face and dislikes dirt, and will go to great lengths to wash it off his hands. His goal is to clean the polluted Earth. He transforms with an electric toothbrush, which is consistent with his hygiene fixation. He's not quite adept at being a superhero, but at least he tries his best.

In this recorded stage debut of the original Ultraman, self-proclaimed world's number one kaiju tamer, Eiji Tsuburaya introduces Ultraman, the Science Special Search Party (SSSP), and various kaiju.

In this sizzling escapade, three irresistible vixens—Dump, Hip, and Bump—deliver a daring, alluring masterclass in mischief. Dump, a martial arts maven, combines lethal moves with an untamed sensuality, while Hip captivates with her razor-sharp wit and magnetic allure. Meanwhile, Bump’s sultry charm turns even the staunchest hearts to mush. Under Masako Sakamoto's provocative orders, they plunge into hedonistic debauchery at the “Dream National Assembly.” First, they seductively manipulate sauna sirens into high-stakes bets that pay off handsomely. Next, they incite wild, erotic revelry at a ghostly bar, unleashing an intoxicating tide of risqué abandon. Finally, their provocative presence ignites a deluxe key club with unbridled, seductive intensity, transforming scandal into a lush celebration of desire.

The film is composed of stock footage from the original Ultraman television series with additional newly filmed content, and it served as an “epilogue” as Ultraman returns to Earth for one final battle.

1967 Japanese movie

Hayata is a member of the Science Patrol, an organization tasked with investigating bizarre anomalies. He is mortally wounded when accidently encountering an alien being from Land of Light, who grants Hayata new life as the two are merged into one. Now, whenever a threat arises that is too great for the Science Patrol to handle, Hayata activates the beta capsule and becomes the hero known as Ultraman.

In the not-too-distant future, the Earth finds itself constantly under attack from extraterrestrial threats. The Terrestrial Defense Force establishes the Ultra Garrison, a team of six elite members who utilize high-tech vehicles and weaponry. Joining their fight is the mysterious Dan Moroboshi, secretly an alien from the Land of Light in Nebula M-78, who transforms into his true form in times of crisis, Ultraseven.

The goofy tales of a king and his family who make their way to Earth after their planet explodes.

The Heisei Ultra Seven series follows directly from the final episode of the original series, ignoring the M78 continuity altogether and establishing Ultraseven as the only Ultra being to have arrived in this universe. This is a series of specials, beginning with 1994 edition which aired on Nippon Television, followed by the Memorial Trilogy in 1998, The Final Chapters in 1999, and EVOLUTION in 2002, all of which were direct-to-video.