Soběslav Sejk

Good-looking Edita Beningerová (Jana Brejchová) arrives at a chemical factory in the North Bohemian town of Ústí nad Labem together with her young assistant Nada (Zlata Adamovská). She is hoping that her ex-husband, outstanding practical chemical engineer Vik Panc (Eduard Cupák), will help her conduct an experiment to validate her proposed theoretical method of isolating cholesterol from lanolin. The success of Edita's invention is crucial for her career at the Prague Institute of Chemistry. Vik's roommate from his hostel Bréta (Ivan Vyskocil) is thrilled. He will finally meet the mysterious and fascinating Edita about whom he has learned so much from Vik.

Stage mime Antoine Moreau is compelled by the Gestapo to put on a performance for the children of Terezin, a "model" concentration camp, to convince the Red Cross observers that the camp is truly what it seems. Reluctant at first, Moreau slowly learns the true nature of the camp, including the meaning of the "transports" on which people leave. With a world-class orchestra (made up of people interned in the camp) and a cast of children, Moreau stages a show to end all shows.

Former Nazi Klaus Abard survives to the 1990s by taking anti-ageing pills. He plans to use a time travel trip to return to Germany in 1944 and present Hitler with a hydrogen bomb, so that he can win the war. Unfortunately the pilot, woman-chasing Karel Bures, dies on the morning of the trip and his earnest twin brother Jan impersonates him, without knowing about the plot.

Josef Lachman, once a security officer, serves twelve years for aiding an SS fugitive’s escape. Upon release, he works as a driver on a dam project, hunting buried English pounds Meyer told him about. With miner Rokos’s help, he retrieves the cash and hides it with his daughter Eva, but she spends some at Tuzex, Rokos blackmails him, and they discover the notes are WWII forgeries.

An only son, Jirí Valenta (Jaromír Hanzlík), has been drafted to the army. At the barracks he acquires the nickname Seamstress because he sews rugs in his spare time. One day, his friend introduces him to Julka Vávrová (Jorga Kotrbová), a girl he is desperate to get rid of. The naive Jirí falls in love with the girl and accepts her invitation to spend Easter together in the country. There he learns that the girl is the single mother of the young boy Martínek, whose father is the married tractor driver.

A beautiful animated film about a salmon swimming from its birth to its breeding ground, telling the story of its life

The car thief Halama, the shy groom Poupě, the divorcing jealous Pic and the mustachioed cinema projectionist Vlk are suspected of robbing the cinema box office. They are so similar, however, that the sharp-witted Public Security investigator Doll doesn't know them at all...

The director and choreographer from Prague are preparing a show performance "Oriental Fairy Tale" - a ballet on ice with the participation of vocal and instrumental ensembles and pop singers. They are shooting their picture in Kazakhstan at the Medeo high-altitude skating rink.

In an unusual, apolitical approach, director Jaromil Jires has fashioned a standard drama that features an older lawyer with failing health who goes to practice in the countryside. His series of odd court cases reveals more about the human condition than about law. In one of these litigations a wayward nephew has cheated his elderly aunt out of her savings. In court, the nephew insists the money was a gift, but his aunt explains she only gave him the money as a loan. Although the lawyer technically wins the case, everything of value seems lost in the meantime. His services are paid for in rabbits because the aunt has no currency, and in the end, the nephew cons his aunt into parting with her savings anyway. Other cases expose similar types of petty corruption.

The classic fairy tale, based on the original by Božena Němcová, tells the story of a young coal miner who must overcome many obstacles to win the hand of the desired girl.

A twelve-year-old is looking for his biological parents after discovering the fact that he was adopted.

Leopold Kohák married a rich widow a long time ago and now has nothing to do compared to his energetic wife. He's growing old and troubled by the fact that he betrayed his first love Emča and his beloved river Sázava where he spent his childhood and youth. A visit from an old friend Lebeda brings it all back to him. After a nervous breakdown Leopold secretly visits his home instead of going to the spa. A wandering tramp suggest Leopold should bathe in the magical waters of the Sázava, and slowly his youth returns to him.

American agents hijack a plane on the Ostrava-Prague route to launch a campaign against the People's Democratic Czechoslovakia. The plane lands in West Germany, but the Americans have an unexpected problem convincing the hijackers to stay in the West. Based on a true story.

Josef Laufer portrays Egon Erwin Kisch in two daring journalistic adventures: in “Zuřivý reportér,” Kisch goes undercover in a poverty lodging house, uncovers a tattoo’s dark backstory and deciphers a secret telegram hinting at war via the legend of the black rose; in “Lovci senzací,” he pursues sensational leads and exposes hidden truths, proving why he was rightly called “the raging reporter.”

The distressing fate of the Czech great Jan Amos Komenský, forced to leave his homeland after the White Mountain disaster. It depicts his encounters with various European personalities of the 17th century - the Queen of Sweden, artists and scientists. It emphasises the hero's nobility, but also his inner resilience, which allowed him to overcome many personal and professional tragedies. The parable of The Labyrinth of the World and the Paradise of the Heart becomes part of the story. However, Comenius's concept is sculpturally lifeless and, in particular, the religious dimension is "erased" from it. The simplistic biography therefore does not avoid schoolboyish dryness.

A car deliberately runs down a young man on a road by a small border town. The locals recognize the dead man as one of the students who were there on volunteer work some time before. The police detectives, Major Kalas (Rudolf Hrusínský) and Lieutenant Varga (Radoslav Brzobohatý) can then get on the trail of the people with whom the victim was involved, especially at the photographic studio headed by Bohuslav Pacer (Bohus Záhorský).

Otakar Vávra dedicated his latest film to events accompanying the devastation of the first World War. It takes place in representative centers of power, in the courts of Vienna, Berlin and Moscow. In parallel, it develops the fate of the Czech archivist, who will take part in the Serbian anti-Austrian branch.

In the pulmonary sanatorium, patients live out their small fates. But not everyone takes a responsible approach to their illness. For example, a young student falls in love, the lovers even take a secret flight, but the young man's condition deteriorates dramatically because of it.

The common theme of the short story film is the famous duels between two important historical figures: Pushkin and Casanova. Pushkin's tragic duel, which ended his life prematurely, is portrayed in connection with the creation of his short story "The Dirty Shot", while Casanova's story is conceived in a rather ironic and humorous way. The point is that the famous seducer never actually seduced, on the contrary, all his life he was in a constant battle with female seductions.

Thirty Cases of Major Zeman is a Czechoslovak action-drama television show intended as a political propaganda to support the official attitude of the communist party. The series were filmed in the 1970s. Each episode encompasses one year, and investigations are stylized to that year. Most are inspired by real cases. The series follows the life of police investigator Jan Zeman during his career from 1945 to 1975.

Muž na radnici was a Czechoslovak television program which was broadcast in 1976. The program was directed by Evžen Sokolovský. In 2011, it was announced that the program, along with 17 others, would be released on DVD within three years.

Okres na severu is a Czechoslovak/Czech TV series filmed by Evžen Sokolovský in 1981.