Mimí Ardú

The film consists of 16 shorts that explore, with humor and social criticism, the characteristics of the Argentine identity.

After 12 years, Sofía and Rímini decided to separate. While Rímini finds it easy to move on and start a new life, Sofía stays stuck in the past and constantly harasses him. She reappears again and again on Rímini's horizon to reconquer him, torture him or redeem him.

Three intertwining stories that take place in La Salada — the largest unregulated market in Buenos Aires: a Korean father prepares his daughter for an arranged marriage, a young Bolivian man searches for work, and a Taiwanese DVD seller tries to woo a young woman to be his girlfriend.

A look at love and friendship in a historic moment for Argentina after the recovery of democracy. It tells the story of Julián, a young ranch hand who is reunited with Patricio, the son of his boss and his childhood friend. The passage of time and being face to face in the countryside where they were born, will make them realize that their childhood affection has become an indomitable feeling.

Tells the story of a group of female workers who are locked in a factory because of an invasion of wild elephants.

A veteran popular singer comes to town with her daughter in order to achieve success in television. She introduces her daughter to a contest winning one of the top prizes. At the same time, a veteran politician is campaigning to scale the governor's office.

A writer dying of AIDS searches for a cure and human interaction in the hospitals and sex clubs of Buenos Aires.

Zapa is a locksmith in a remote and quiet little town, lost somewhere deep in the province of Buenos Aires. After getting involved in a crime, his uncle, a retired policeman, bails him out and gets him a spot to join the Provincial Police as an aspiring officer in the thick urban sprawl of Greater Buenos Aires' West Zone. Soon he will get involved in a new type of corruption.

Describes the internal life of a girls' school from families of strong economic position that traditionally, laziness or comfort transferred to various educational institutions responsible for the moral, intellectual, social and spiritual girls used to a life without problems, the most with terrible examples of marital relationship and behavior of their parents. Thus fall into emotional chaos, led to drugs, violence, prostitution and sexual deviations.

Franzie is a beautiful lonely woman who hold a secret - she has little time left in her life. Emanuel is a failed writer who just lost his job as an editor for self-help books. Franzie makes an unusual proposal: she will pay Emanuel in exchange for his companionship. Emanuel accepts in order to pay for his pregnant girlfriend. Emanuel mus resist temptation when Franzie reveals her secret.

The host of a folk music radio program risks his life by reporting on clashes between police and guerrillas.

Lidia Muñoz is a retiree who has been living in Barcelona since 1978. Lidia was forced to exile from Argentina after the military dictatorship that ruled the country at that time tried to kidnap her and make her disappear. Pregnant with her only daughter, Valeria, she managed to escape to Spain. Forty years later, she receives a summons from the Argentine Ministry of Justice to testify in the trial for the kidnapping and disappearance of Oscar Medina, her boyfriend at the time and Valeria's father.

A story that recalls the great era of Argentine cinema of the 40s and 50s and the famous San Miguel Studios, where great figures of national and foreign cinema worked. The sad episode of the demolition of studios is passing in front of the memory of a film director, who with great nostalgia relives moments that are impossible to forget.

The problem of insecurity from the point of view of marginalized youth who no longer have anything to lose in life.

Manuel is a hustler whose only aspiration is to get out. He thinks he sees salvation when fate crosses him with Julio, an old friend, a trusted employee of an obscure business consultancy, a front for a company dedicated to money laundering. Without hesitation, Manuel will try to convince Julio to do “some business together”.

Catrasca is a photojournalist with a fondness for women of all kinds.

Buenos Aires, mid-1980s. Ledesma (Darío Grandinetti) is the driver and personal guard of "El Coronel" (Rodolfo Bebán), a mafioso with many contacts in power. He will be attracted to the beautiful woman of his boss (Katja Alemann).

It is the story of "Pato" (Topa) and Pirucha (Muni), who together with a famous music group called La Pandilla de Sol, join forces to save the children of the "Home at the End of the World" from eviction. The film will advance through adventures, songs and stories until reaching an emotional, surprising and spectacular ending.

Argentina, December 2001. Víctor Aranda is the accountant of a financier. His ex-wife is chasing him for an increase in his monthly support fee. His current partner doesn't see any future in their relationship and is willing to abandon him for a scholarship that was granted in Paris. He doesn't see any way to escape his fate, until the owner of the financier tells him that he will make a big scam and he will run away with all the money.

Follow the adventures of Kiss of the Spider Woman scribe Manuel Puig portrayed by Fabio Aste, who left Argentina after being persecuted for his homosexuality and settled in exile in Rio de Janiero in this intimate drama from filmmaker Javier Torre. Though life in Rio was full of romance and adventure for Manuel, the controversy surrounding him grew ever more intense, until the only way out was a trip back to his native Argentina. In the years that followed, Puig eventually made the painful decision to move to Mexico, where he spent his final days until death caught up with him at the age of fifty-eight.

DESTINY (2006) Based on the novel "The man who came to a town" by Hector Tizon (Argentina, 1929) who in 1976 was exiled to Spain, where he worked in publishing houses, newspapers and magazines. A Spanish drug dealer has to close a transaction in the remote region of Jujuy, Argentina. Almost killed it. Chance will make you have to hide in a remote village disguised as a priest, where the inhabitants will be taken as such. There you will have to take sides with the imminent changes that threaten the people, and decide if takes that second chance that has given life.

The story stars Antonella (Andrea Del Boca), a young woman who wants to be an actress. Working as an entertainer for children's parties, characterizing the clown Plin-Plin, she meets Nicolás (Gustavo Bermúdez) who is actually her sister Natalia's lover. Before long, Natalia appears dead. Although it is believed that it was a suicide, Antonella thinks that he murdered her, and seeking revenge, he infiltrates the world of high society.

After a devastating breakup, Vicky, almost 40, embarks on a quest for new love, unaware it will lead her to a profound—and hilarious—self-discovery.

Anthology series, in which every episode introduces fictionalized versions of real cases about women who, for different reasons, ended up committing murder.

Nafta Súper was born as a spin-off of the argentinian cult film "Kryptonita" (Kryptonite) from 2015. Eight suburban episodes, eight mocking, engaging, and ferocious hunts. Nights of drinking that are nights of shooting, lived with adrenaline, dark humor, and glistening sweat.