Frieda Pittoors

In the menacing inferno of the old North-American West, Liz is a genuine survivor who is hunted by a vengeful preacher for a crime she didn’t commit.

Two young police officers find themselves torn between collaboration and resistance as they navigate Nazi-occupied Antwerp during World War II.

When people literally explode from emotional overload, grief is just the beginning. A wildly surrealist charade in which a bereaved man, his friend and mother spiral through village life.

A portrait of a woman and 26 witnesses who appear to be accusing her of something but we'll never know what. We'll never even know who she is and who the witnesses are. A complex experiment about space, voice and speech.

An eccentric multimillionaire signs an agreement to have his life ended. While selecting his coffin he meets a young woman who has signed up for the same arrangement. Trouble ensues when the couple falls in love and wishes to get out of the contract.

When the village’s first supermarket opens its doors in 1975, Freddy’s isolated life is turned upside down. To celebrate its opening, the supermarket organises a bicycle race of which the winner will get to meet Eddy Merckx. Freddy’s father, a fervent opponent of the supermarket, wants nothing to do with the race. Freddy enters secretly.

Gaby, a heritage chicken keeper, is turned upside down when an arrogant air balloon pilot crashes on her chicken coop. The crash reveals the roots of a family conflict and forces Gaby to confront the air balloon pilot as well as her past.

Muriel moves from a small village to the big city of Brussels, hoping to start an independent life working as a museum guide. She rents a room from Laura, who has a room to spare now that her mother is in hospital. Laura is a vital and candid woman who has a child-wish but leads a very chaotic life. Meanwhile, Muriel's mother has a hard time accepting that her daughter leads a life of her own now, and she also faces some changes at the factory where she works. The movie follows the interconnected lifes of these three women of three different generations, who all face different problems.

When her mother abandons her dementing father, Alex unexpectedly finds herself at a crossroads. As she moves back in the parental house to look after her father, she starts questioning her own life. Does she want to stay with her adulterous husband? She tolerated his affairs for years, but is she really happy with him? Or should she, like her parents, drop the facade?

A psychiatrist's adulterous past continues to haunt her and her husband after they move to India.

A mysterious stranger inserts himself into a troubled family's life, blurring the lines between good and evil as he cares for their disabled daughter.

In a future flooded Netherlands, a hardened woman living in a wind turbine is torn from her desolate home by a violent storm. As she fights her way back, she begins to question whether the place she once called home still holds any meaning at all.

The Herts Camera Sutra or The Palefaces (1973) is a militant and visually fragmented critique of Belgian bourgeois society, blending documentary collage with semi-autobiographical fiction. De Hert attacks the distractions of nationalism, religion, and popular culture while exposing capitalism, social injustice, and postcolonial exploitation. The film’s second half shifts to a disillusioned group of rebellious youths, revealing the uncertainty and emotional paralysis behind revolutionary ideals. Both politically fierce and deeply self-questioning, the film captures the tension between radical ambition and powerlessness.

Charles Dujardin - psychiatrist - starts losing his precious sense of control when Lotte, a seductive and promiscuous client offers her confession. Her story takes hold of his mind. After his ailing wife is sped off to the hospital Charles grows obsessed with Lotte. Reality and fantasy start mixing. An ethical commission starts asking difficult questions. There's been a complaint. An official investigation is started. But he didn't do anything wrong. Did he?

Three adult brothers, Hein, Pé and Roemer, live with their elderly mother Hillie. This eccentric family lives in an old, crooked house that is on the verge of taking its last breath before toppling over. Every year, it is pulled straight again by its four inhabitants. This procedure has worked for decades, until suddenly Mother takes off to the sunny South. The nestlings are left to deal with each other - and themselves. As the relationship between the brothers gets more distorted, the house starts leaning over faster as well.

Frank and Paul are best friends forever and raised Frank's daughter Lilli after a tragic car accident. The two men scrape a living by working as barmen and bouncers in a strip club while Lilly has grown into a lively and self-confident teenager. The disaster unfolds when Lilli seduces Paul and gets pregnant.

Masha is in an overwhelming relationship with Luuk, father of two and separated. Nothing seems to stand in their way until Luuk turns incurably ill, leaving Masha without status.

Bonnie, a nine-year-old single child, is part of a family of three living in the Netherlands. They have a love of elephants, passed on by Bonnie's grandfather's grandfather who worked on a game reserve in Africa, and Bonnie feels that she instinctively does things like an elephant as a result. Her single mother, Lis, is bi-polar and at times spends days on end without even getting out of bed. Then there are other times when she will manically do wild acts, such as impromptu dancing in public. As a result, Bonnie's sturdy and stable grandmother must hold the family together by doing all the cooking, etc. After her grandmother is killed by a car, Bonnie becomes the most responsible family member and struggles with preparing meals and getting her reluctant mother to take her medication. She also must dodge Jorien, a social worker who is attempting to place her in a foster home.

The importance of the Atelier as a meeting and working-place for independent or beginning filmmakers is highlighted in Last days of Studio Frans van de Staak a necrology of his films by Kees Hin (2002), which focuses mainly on Van de Staak's non-naturalistic style of directing actors.

Fifteen-year-old Sammy has recently become aware of desires she awakens in men but one man to whom she is herself attracted is her older brother Jacob. With an institutionalized father and a mother neither sibling has seen for years, Jacob provides for the household through his trade in meat declared unfit for human consumption. This situation has sufficed for years but the dedication with which Jacob watches over his little sister leaves her no room to mature as a woman...

Five thirty-something men in as many separate segments struggle to grapple with the relentless absurdity of their respective existences.

Bachelor Antoin is tired of being alone. His neighbor Rob decides to help him, and brings Antoin into contact with Russian Natasha who moves in with him. What Antoin not know is that Natasha actually the secret internet lover of married Rob, and the arrangement is nothing but a front to have her near him.

Former Amsterdam police detective Floris Wolfs has been transferred to the police department of the south-Dutch country town Maastricht. His metropolitan experience nicely complements the local expertise of his new country colleagues, who know the folks. Slowly he fits in, while solving countless crimes together with his female partner Eva van Dongen.

Witse is a Dutch language crime drama produced by Belgian broadcaster VRT and broadcast on their één channel. It is also shown on BVN. First broadcast in 2004, as of 2010 the programme comprises eight series with a ninth and final series planned for 2012. It stars Hubert Damen as the eponymous Witse, a driven inspector in the Belgian federal police based in Halle. It is one of the most popular Flemish television programmes with some 1.6 million viewers. There are also Witse books. The first three were based on the last two episodes of each season, but since 2010 every six months a brand new story is published, written and invented by established Belgian writers, as Bob Van Laerhoven and Bart Van Lierde. The music for Witse is composed by Steve Willaert.

Belgium, the early 1980s. Jan Laureys wants to see the world and enjoy life, but reluctantly becomes a gendarme. His father, himself an officer in the gendarme, wants it that way. When Jan hears about the CDI, a new unit that will tackle drug criminals using American methods, he immediately applies. The CDI doesn't wear uniforms, so he can continue to parade around the barracks courtyard in his fashionable outfits. And so Jan meets Bob, an American DEA agent who comes to train the Belgian elite police force in American police techniques. After a major screw-up, the CDI loses a lot of money from the gendarme. To save face, they decide, on Bob's advice, to earn the money back by selling drugs themselves. As always, everything goes well... until it goes wrong. Especially for Jan.

A chronicle of legendary Dutch singer Ramses Shaffy’s rise to fame, from his early days as a stage actor in late 1950s Amsterdam to his emergence as a national music icon throughout the following two decades.

A show about carnaval in Knorrendonk

Late 70s. The revue theatre Ancienne Belgique in Antwerp nearly has a future left, but director Leonard will not admit it. The artists and performers do not know this and try to solve their own problems. Marcel (orchestra leader), Willy (the flower shop comedian) and Jack (the producer with his stubborn character) their problems increase and everyone is sucked into the downward spiral...

Laura H, The teenager from Zoetermeer takes on a new identity in her search for herself and travels with her husband Ibrahim and two children to the caliphate in Syria. When she shows up at the border in 2016 and says she has escaped and regrets it, doubts about her motives are great. Why did Laura choose to travel to the 'Caliphate'?