Yohana Yara

Two unmarried women who have become pregnant by accident and are about to give birth meet in a hospital room: Janis, in her late-thirties, unrepentant and happy; Ana, a teenager, remorseful and frightened.

The film tells the true story of Elisa Sánchez Loriga and Marcela Gracia Ibeas, two women in 1901 Spain who fell deeply in love. To overcome societal and legal barriers to their relationship, Elisa assumes a male identity, enabling the pair to marry in secret. Their daring act makes them the first recorded same-sex couple to marry in Spain, but their love is tested as they face relentless persecution and sacrifice.

Nadia and Adrián starts their particular world war when she files to divorce him.

Due to a rental mistake, three families are forced to share a house in the Canary Islands, leading to chaotic and humorous situations as they try to live together.

Pilar is an ordinary woman who lives immersed in a routine that has never been questioned: work, family and housework. Therefore, when she is unexpectedly told that she is being fired, she enters into a deep identity crisis. Despite everything, she refuses to give up and clings to what she thinks she has left: her role as a mother of two teenagers, but, unfortunately, her children no longer need her as before. In this personal situation, she is moved by the generational clash regarding the young women in her family, who, like a mirror, reflects her longing for a life that she has never lived.

The viral video of a Christian pop group made up of several sisters has an enormous effect on the life of Enric, a man tormented by a childhood marked by religious fanaticism and the yoke of a mother with messianic delirium.