Takeshi Takami

Towards the end of the Edo era, in the town of Kyoto, there lived a wealthy merchant by the name of Imai Tadamasa. He was blessed with 3 children, Hatsu, Asa and Kyutaro. His eldest, Hatsu, was a traditional girl who loved to play the koto and sew. Whilst his second daughter, Asa, was an impish hoyden who loved sumo wrestling. Asa was engaged to be married to the second son of a distinguished family who ran a money changer business in Osaka, Shirooka Shinjiro. Although Asa was furious when she had first heard about the betrothal, when she met up with Shinjiro for the first time, his charisma greatly attracted her and she fell in love with him in no time.

Born in 1937 in Osaka as the eldest daughter, Kawahara Kimiko moves to Shigaraki with her family at the age of 9. She works to support her family from a young age. Eventually, she jumps into the male world of pottery and becomes a pioneer of female ceramic arts. After marrying her husband who is also involved in ceramics and owning her own kiln, she raises her two children while struggling to create unique ware.

Iwakura Mai lives with her parents Kota and Megumi and older brother Haruto. Her father Kota runs a small factory in Higashi Osaka, a district that is known for its craftsmen. Mai is shy and withdrawn. But when she visits her grandmother Shoko who lives on Nagasaki’s Goto Islands which has a rich natural environment, she is entranced by the Baramon kites that catch the wind and soar high in the sky. Wanting to fly high in the sky like these kites, Mai’s longing swells into a dream to become a pilot. Even though she works hard, the path to getting there is tougher than she had imagined. As Mai deepens her ties with the people living in her two hometowns of Higashi Osaka and Goto, her dream eventually takes a new form. She gathers enthusiastic friends to build a small electric plane that can fly to and from the islands. Her dream becomes a wing that carries everyone’s dreams and takes off.

Osaka was the the site of Expo ’70, and among the most memorable elements of the event, standing to this day, is the "Tower of the Sun", a 70-metre-tall sculpture/building envisioned and designed by renowned artist Taro Okamoto, who some call “the Japanese Picasso”. This film is a theatrical adaptation of "TAROMAN", a tokusatsu series re-envisioning Okamoto's most famous pieces as surrealist superheroes and villains, with Ultraman-like TAROMAN, based on the Tower itself, at the forefront of it all.