Anica Russouw

Once again Mario Salieri surprises with his unique vision of the pornographic genre, facing a ruthless analysis of the society in which we live through the background of the ancient art of comedy. The story is told by the same characters, each a mirror of human pettiness, positioned on the empty stage of a theater. After a peaceful start to the story, which revolves around the organization of a variety show, each character will discover his real identity by showing the drift of values and feelings in a context of ruthless self-sufficiency. A three-part series to see without using the quick scrolling function (like all Salieri's films) to get involved in the narrative and eroticism and appreciate the fantastic musical interventions of the orchestra conductor Antonello Cascone, musician by Andrea Bocelli and many other international stars.

MAMMA ROMA - (2020) On October 31, 1975, a few days before his death, Pier Paolo Pasolini gave Philippe Bouvard, a journalist of French television, his last interview and he declares that to be scandalized is a right and to be scandalized is a pleasure. Forty-five years later Mario Salieri, to scandalize the purists of the seventh art, decides to make a reinterpretation of his movie Mamma Roma dedicating it to the adult entertainment industry. After La Ciociara, a movie made in 2018, Salieri's irreverent mission continues. The only connection with Pier Paolo Pasolini's movie is the opening scene of the wedding dinner (part one) and the parental relationship that in Salieri's work reverses the son with the daughter.

A South African Afrikaans soap opera. It is set in and around the fictional private hospital, Binneland Kliniek, in Pretoria, and the storyline follows the trials, trauma and tribulations of the staff and patients of the hospital.