Michał Kościuk

Based on a script by Andrzej Żuławski, this is a fascinating on-screen dialogue between father and son that combines nostalgia and fury, the sublime with humor, and old-school style with a sharp, penetrating look at Polish reality. The eponymous bird talk is the language used by those excluded from the aggressive majority: a history teacher tormented by children, a teacher of Polish studies fired from his job, a girl who cleans a banker’s villa, a florist with a club foot and a student with a fascination for cinema. Pushed to the margins by the extreme right, they defend themselves with irony, songs and quotes from the classics.

They met as students and they became very good friends. Young, handsome, popular among women. Individuals with strong personalities.

As Christmas approaches, ambitious Mel struggles to host a grand Eve dinner for his “Santa” business and, seeing his younger self in hapless employee Grzesiek, vows to save him from repeating old mistakes. Meanwhile, Karina and Szczepan’s quiet holiday is disrupted by a burst pipe that introduces repairman Lucek and stranded traveler Józek into their home. And Wojciech, fresh from London, plans a serene reunion, until he meets mysterious Ewa, who’s flown in to see an internet love.

When Kuba finds out his girlfriend Ewa is pregnant, he reflects on life and wants to prepare to do everything he can to be a great father and provider. Kuba wants to be a responsible man but he isn't sure what is the ideal way to live. He visits his three uncles seeking their advice on what he should do. As they all have their own perspectives, each of his uncles guides him in new directions.

Hans and Jan Bitner live on opposite sides of the iron curtain. Hans lives in France, he leads a quiet life. Bitner is a Pole, involved in the fight for a free Poland. Their lives are different, but there is one detail that links them.

The fate of a religious and a young woman intertwine when they both suffer the loss of a loved one.

Her talent — his unfulfilled ambitions. The story of a duel between a young Polish artist and a Russian sadist. The year is 1939. Marta, always late, lives in two worlds, writing the same symphony. In the New York music world, she develops her talent rapidly. In occupied Poland, in a cattle wagon and during her escape from captivity, she fights a duel with a musically unfulfilled Soviet officer who envies her talent. Although in the other world, Marta has no chance, she fights to save her son and write the work of her life.

The successful judge Alicja Mazur, who is known for her strictness towards criminals. The woman is unexpectedly accused of a murder she did not commit.