Kelly Campêllo

After being released from a juvenile detention center, Wellington finds himself alone and adrift on the streets of São Paulo, without any contact from his parents and lacking the resources to rebuild his life. During a visit to a porn theater, he encounters Ronaldo, a mature man, who teaches him new ways of surviving. Gradually, their relationship turns into a conflicting passion, oscillating between exploitation and protection, jealousy and complicity.

Trinchas and his gang of graffiti taggers risk their lives climbing tall buildings to sign their names up there. When he falls for Valéria - an art graduate student -, they shake the international art scene.

In six decades, Teatro Oficina has done more than revolutionize theatrical language in the country: the aesthetic influence of José Celso Martinez Corrêa's company extends from Tropicalism to the renewal of Brazilian audiovisual languages ​​from the 1960s onwards. The film revisits a story that it involves personalities such as Caetano Veloso, Glauber Rocha, Lina Bo Bardi, Chico Buarque and Zé do Caixão, brings together scenic art, ecology, architecture and sexuality, and mixes art and life in the search for a Brazilian based language.

The arrival of Suzane Von Richthofen shakes Tremembé's order, sparking a power struggle with Elize Matsunaga. Jatobá seeks protection, while Nardoni, the Cravinhos brothers, Roger A. and others face internal clashes and defy the system.