Vladimir Dorondov

Indre and Paulius haven't kept in touch lately; but as his foot is in a cast, she agrees to drive him out to a small town near the airport, where his brother and her boyfriend died.

Sisters Ernesta and Justė, along with their husbands Lukas and Tomas, gather at their parents’ summer house. It’s been a while since they’ve all been together and the children are delighted to be spending the last warm days by the lake. But an intense weekend soon unravels, thrusting both families into a radically altered reality where time is limited and emotional issues must be solved amidst growing heartache.

Lithuanian provincial town is facing the economic crisis in 2008. Vytas gets fired from the factory. Pushed by his wife, he immediately starts looking for a new job, but not really successfully. After having his haircut done, Vytas starts looking for a new love affair with a hairdresser Marija, but not really successfully, either. Finally, Vytas gets involved into a third search - he starts looking for a guy who posted video on youtube, claiming he saw Jesus Christ in their town. This is the only time he succeeds.

Son lives with his father in an old flat with an endless number of rooms and corridors. The grandfather died, but his corpse lies on the sofa in the living room. Guests come to the apartment sometimes for whom the father prepares in different ways and sets the boy up to the same attitude towards the guests. Every day, the father leaves no one knows where, and the boy remains alone and wanders through the corridors of the flat. On one of these walks, a boy hears subdued screams - they come from a room with an iron door. When he tries to see what's happening there through the peephole, his father appears. Son tries to escape but then faces another terror along the way. The boy seeks to find a way out, but his father suppresses all attempts. "Eternal" is an author film about the problems of a big state transferred to a small, strange family. By design, the film is a reasonably pessimistic metaphor for modern Russia.

Soviet Lithuania in 1972. A young theatre actress is trying to make a difference and tell the forbidden story of repression in a play.

Miglė, who married when she was very young, has for 26 years been divorced from her ex-husband who one day calls her and asks for a favour. He has found that it would be a good time to get married again after the death of his mother. But there is a small problem: their divorce is valid only in the eyes of the law, because a Catholic marriage cannot be divorced. It can, however, be annulled. All that needs to be done is to complete an application and give the “Catholic court” a good reason. But she does not know in what kind of absurd situations she is about to find herself in.