Zé Wendell

After the mysterious disappearance of his father, Joventino, the cowboy José Leôncio becomes a wealthy farm owner in Pantanal. Over twenty years have passed and, bitter-hearted because of his father vanishing and the escape of his wife to Rio de Janeiro with his baby, José Leôncio has the chance to make amends with the boy, now a young man raised in the big city with very different values and habits than his own.

In a life full of surprises, Bia and Victor's friendship is a safe place.

A wounded amnesiac finds refuge with an MMA coach and steps into the ring, torn between hope for a new future and a dangerous past that keeps closing in.

Raimundo and Serginho are partners in a life of committing robberies. When Raimundo decides to leave the life of crime, he is convinced by Serginho to take part in one last heist, unaware that their target is their boss, Bruna. The robbery spirals out of control and places the three of them in a cruel, vengeful cycle.

Vera, imprisoned at a military fortress during the dictatorship, 1969, get to know a soldier, Armando, who, in the face of torture, decides to take messages from Vera to his family and establishes an affective relationship with D. Maria, Vera’s mother. Despite the horrors of the time, the film works on this possibility of a dialogue between two lonely and lost human beings: a high-middle-class lady and a young southerner of rural origin. Today, Vera, aged 70, is a professor at the university, and debates with her students about politics, forgiveness and Hannah Arendt.

Waldisney works as a doorman in a building where confusion is constant. However, the employee is great at maintaining a certain order. When wrongly accused of stealing something, he will need to prove that he is anything but a thief.