Hoàng Yến

A wealthy bourgeois covers up his rape of a village woman, but the event soon cascades into the destruction of his own family.

A story about young men who had to go war to protest their country. Each of them has his own story.

At the close of the Sino-Vietnamese border war, a journalist travels to Lạng Sơn in northern Vietnam—the hometown of his former girlfriend—to report on the situation there.

During the war, a woman learns that her husband is an army deserter.

A mentally challenged man spends his days working as an artist's model and visiting the now-occupied house of his childhood, where his beloved guava tree sits.

Phuong and Tiem are childhood friends; therefore they understand and in harmony with each other. However, they still have conflict about Tiem's job as a driver, especially, when Phuong follows Tiem on a trip.

In the final days of the war, Duyên faces a daily struggle to take care of her young son and ailing father-in-law, all the while hiding from them the fact that her husband has recently been killed in battle.

Thứ, a teacher in an impoverished village of French occupied Vietnam, witnesses the daily tragedies and hardships his neighborhood has to endure. A joint adaptation of three of Nam Cao's classic works: the short stories "Chi Pheo", "Old Hạc" (Lão Hạc) and the novel "Corroded Life" (Sống mòn).

The dynamics of a Vietnamese rural village change when an urban woman returns to the village she originally belonged to and begins a love triangle.

After his brother goes off to serve in the war young Phuoc feels he would also be better serving his country holding a gun, not a rake.

After his family was brutally murdered by French settlers on his wedding day, an Algerian man joins the French army and is sent to Vietnam to fight in the First Indochina War.

Ten years after signing up as an army nurse, a woman returns to her village with a son in tow. Because she has no proof that she was ever married, the conservative village folk shun her.

The sexually repressed widow Doan comes to play tennis in the court where sly, lewd orphan Xuan (nicknamed Red-haired Xuan for his sunburnt hair) is working as a ball boy. Their encounter that day would change Xuan’s life forever, as the widow introduced him to an entirely different world of the hypocritical and decadent petite bourgeoisie class, a condition of “Westernized” middle-class Hanoians under French colonial rule in the 1920s. An 8-part series adapted from Vu Trong Phung’s classic satire.