Maryhan Magdi

The show revolves around some social problems through the employee Abdul Hamid, whose feelings of happiness and anxiety are mixed when a young man proposes to marry his daughter. In his journey to afford the expenses of his daughter's marriage and taking care of his family, we go through the traditional problems of the Egyptian families nowadays and social differences.

Yaqut, a father, leaves his wife and kids and disappears for 20 years. The Devil, Wanoos, then visits his family, pretending to be their father's friend, and tells them that he and their father have made millions. A conflict between the children and their mother ensues, and they need to choose between going back to their father and his money, or keeping things the way they are.

Failing to find a way out of his struggles and sufferings, the young man Sa'ied seeks to leave the country and travel abroad to set his life on the right course. But as he climbs up the ladder of fortune, he soon realizes the foul truth about the world he fancied.

Noah Al-Shawwaf appears to be a well-off gentleman from Alexandria, but he is running away from a mysterious past.

Set in the confines of an impoverished Cairo neighborhood, a community's everyday life is threatened by the ruthless rhythms of Tanneries, rotary driers crushing animal skin, hazards of poisonous waste water, Tahyea desperately clings to her brother, Saqr, whose only dream is to escape.

A powerful account of life in contemporary Cairo, this raw drama about a pair of star-crossed lovers shines a powerful spotlight upon the social and cultural taboos that riddle the city's diverse population. Heralding a bold new shift for contemporary Egyptian cinema, 'Cairo Exit' is a gritty and uncompromising work from a major new cinematic talent, Hesham Issawi.

In Alexandria, Fatma needs money for her youngest son's weekly kidney dialysis. She travels to Cairo to beg away from home, after she collects enough money she returns to discover her son's death. She decides to protect her two daughters from poverty so she returns to Cairo to continue to beg.