Tomás Taborda

In a time preceding the Carnation Revolution, we meet two men: one young, one old. One is fleeing the country, and the other helps him escape through Trás-os-Montes. While they make “the leap,” they speak about their lives and their troubles… This is an ode to those who fought for Freedom, and to these fifty springs that have passed. Throughout 13 performed songs, we travel across the country, hand in hand with several Portuguese people who tells us their stories through music, until we get back to this young man who runs away and returns to Lisbon, shortly after the Revolution, to reunite with his loved ones and live in freedom.

During the student crisis of 1968, Ines, an 18-year-old homosexual, is prevented from attending law school by her family, who believe that this is not the right course for a woman. This awakens in Inês a feeling of injustice, which leads her to accept Julio's invitation to join the high school students' association. The next day, we find out that the student association has been closed since they found a copy of the clandestine newspaper "Avante!" on the premises. The rectory then decides to expel suspicious students, starting a revolt in the high school and an ideological confrontation between the couple of Inês and Adelaide.

Presumed dead for nearly twenty years, Flor reappears in Azores with a revelation capable of shaking the past and reshaping the present: her disappearance was not an accident, as everyone believed. The reunion with those who thought they had lost her forever, including a former love, reopens deep wounds and sets in motion a dangerous quest for justice.

When the school year starts at Barra Secondary school, a big artistic contest is launched to find the new talents of tomorrow. All students are excited, but a string of mysterious disappearances preceded by cyberbullying will disturb this cheerful excitement and divide the students. Everyone has something to hide, so everyone could be the next one to disappear...

In the middle of the 2008 global financial crisis, Vanda finds herself alone and broke, with two children to raise. She embarks on a string of bank heists using a blonde wig and a toy gun and, in the process, becomes a folk hero.