Mirosław Bieliński

When an explosion at a gas station kills a policeman, "Gebbels" from homicide is assigned to the case. The investigation leads him to the trail of a bomb maker and kidnapper, behind dozens of attacks in Poland initiating a confrontation and all-out war.

In the 1940s, a small band of underground paramilitaries attempt to fight back against the Soviet-backed security ministry in post-war Poland. Determined to fight for their country's future, the group goes to extreme lengths to make their voice heard.

At their beloved grandfather’s funeral wake, the family learns his lifelong lottery numbers just won, but the winning ticket lies in his jacket buried three meters underground. Racing against time and grief, they and his friends desperately try to exhume him one last time to reclaim the fortune.

Kryminalni was a Polish crime drama television series that aired on TVN network from September 18, 2004 until May 24, 2008. It ran for 8 seasons and 101 episodes were broadcast in total. It was created by Polish director and screenwriter Piotr Wereśniak and produced by MTL Maxfilm studio. The series followed life and work of police officers from the elite Criminal Terror and Murders Division of the Warsaw Metropolitan Police; the title refers to police officers in the crime section. The three main characters were Adam Zawada, an experienced, tough cup, his younger colleague Marek Brodecki and Barbara Storosz, an ambitious female officer who in the first season joins the team just after graduating. Although none of the main actors had had star status before the series debuted, all three of them rose to prominence and popularity during the 5-year-long run. Many of Poland's best known actors guest starred, usually playing roles of people involved in just one particular investigation. The serial was one of the most popular in Poland: each week it had an audience of 4 million.

Jacek is a foodie, gay and Warsaw bon vivant who has his own TV show, several similarly eccentric close ones around him and self-destructive tendencies. A dramedy that makes fun of the Polish artistic elite, for whom Warsaw is “the only real Polish city”, cannot be compared to other shows. It is the authorial work of playwright and screenwriter Pawel Demirski. He wrote it from the beginning with the intention of presenting a hero contrasting with the burnout syndrome often felt today - a vital madman who believes the best is yet to come.