Joana Bernardo

A family with a long history (and many members) gathers around a table in a mansion in southern Portugal. The region has transformed from a depressed area into a thriving tourist destination. Kisses, hugs, and greetings quickly turn into complaints and reproaches surrounding the big issue: What should be done with Daddy’s house? It is a tempting piece of cake, laden with rich family memories. But progress cannot be stopped.

In the mid-1940s, in a Portugal mired in poverty and illiteracy, a group of boys work in the potteries of Alhandra, on the coast, collecting clay to make tiles and bricks. Gineto, Sagui, Malesso, Guedelhas and Gaitinhas form strong friendships and bonds of camaraderie, while dreaming of other places and embarking on liberating adventures, facing the harshness of work, the daily dramas of family life, hunger, abuse and injustice with courage, rebellion and determination. In the end, their unity always prevails in a world of adults who do not understand them.

Accused of adultery, Ana Augusta Plácido and Camilo Castelo Branco were imprisoned for more than a year in the Porto Prison, she in June 1860, he in October of the same year, after an adventurous escape from justice through the lands of the North.

A European teenager ran away from home to marry a Daesh fighter. She became a bride of the Jihad. Three years later, her life has dramatically changed. She is living in an Iraqi prison camp. Now she has two children to take care of and is pregnant again. She is a 20-year-old widow and soon will be put on trial in the Iraqi courts. What have the experiences of war and brainwashing done to her?

Ricardo is a teenager searching for a way out of a ruthless reality that traps him and everyone around him, preventing them from reaching for the stars.

Based on Nina's final monologue from the play "The Seagull" by Anton Chekhov, this short film explores the relationship between a young actress with her job, her boyfriend, with the text and, especially, with herself. What really matters when we are acting? Or in a relationship? Or in the way we perceive ourselves?

Maria Rita joins a quest to find something she doesn't want to be found.

Nanda dies after giving birth to twins, Francisco and Clara. Marta, the maternal grandmother, agrees to keep the boy, but gives the girl, who has Down syndrome, up for adoption. Helena, the doctor who delivers the baby, becomes attached to the child and secretly adopts her. Years later, Leo returns to Portugal and discovers he is a father. In an attempt to regain custody of the children, he relies on Marta's opportunistic support. But Helena is determined to fight him for Clara's guardianship. Remake of the Brazilian telenovela of the same name.

Portugal, 90s. The famous architect Tomé Serpa lives between professional success and a secret life of sexual relations filmed without the consent of the participants. Married and a father, he maintains a relationship with Carolina, an actress that believes to be his only lover. When she discovers the truth, she allies herself with Elsa to take revenge before the inauguration of his major project.