Matīss Budovskis

During late 1950s in Venezuela, nine-year-old Elizabeth’s summer break takes a wild turn when her little brother Leo vanishes into the jungle. She must swap her books for bravery not only to find her brother but also to rescue a mystical furry animal from captivity and bring him back up to the legendary Tepui mountain.

Three sisters, dead broke and disconnected from each other, travel around Europe with their mother’s corpse on top of their van, trying to minimize transportation costs. The trio has to talk, reminisce and maybe even admit that underneath their fantasies of perfection — these are women in a desperate search for freedom.

Who am I when no one is around, Sabine asks when she is alone. The young woman’s life changes when falling in love leads to a personality crisis. She seeks peace and refuge by running away from her everyday life and hopes for new changes, but is instead forced to confront her inner self and play the role of victim that she is so familiar with. The message here speaks about the radically different perceptions of women and men regarding the world, which they can only understand by sharing and cooperating with each other.

Lulu is a young woman working in real estate, but in her heart, she longs for a career that’s more suited to her idealistic character. By chance, she meets Gerda, who gives her the opportunity to do social work and really help people. But the job turns out to be more challenging than she thought. As she engages in the complicated work of saving the world, Lulu breaks up with her boyfriend and moves back in with her mother, who is herself trying to start over, and her cynical grandmother, who ruthlessly criticises the professional and romantic lives of both women.