Noora Dadu

Amanda Aaltonen refuses to resign herself to the miserable fate of a poor woman and daringly seeks her happiness in the world. As punishment for breaking the rules, society deprives her of the most important thing of all, her freedom, and imprisons her on the island of Seili.

While at the reception, Inkeri overhears the doctor telling the nurse behind the corner that there is no life expectancy or hope left. Inkeri's daughter Maija takes it upon herself to care for her mother, even if it means forcing her, but Inkeri has other plans. As her last act, she intends to save Maija from repeating her own mistakes and then throw herself into the Arctic Ocean. Inkeri escapes from the nursing home for her final journey with her steel-haired friends and Matti, who has tagged along. Before reaching the Arctic Ocean, Inkeri throws herself into life: painful memories, intense emotions, and forest rave.

TV astrologer Sigrid guides people through sleepless nights, but one caller seems worrying. Can Sigrid help them before Jupiter and Pluto align?

Siiri, a hardworking millennial, wants to be successful in her job as the advisor to the Minister of Economic Affairs. She craves a promotion. Siiri’s job takes her and the hard-to-handle minister, an unpredictable eccentric boss lady, to a big tango festival in a small Finnish town. Siiri’s father Petri, a former tango artist and an overly optimistic middle-aged man, wants to make himself useful to Siiri while trying to hide the fact that he himself is homeless, bankrupt and finally at his wits end. Over the course of one summer weekend both Siiri’s and Petri’s facade comes tumbling down but the tango keeps going on in the sweet Finnish summer night.

A group theater ensemble film about a doctor who wants to help a group of refugees in Finland.

Unrest breaks out in eastern Helsinki as a Finnish family man gets hospitalized in the summer of 2015. Gangs of young people are burning down cars and public buildings, confronting the security guards and the riot police. The narrative goes backwards, towards the riots which mark the end of our movie. As the story begins, the unrest is still bubbling under, ready to explode any time. Vandalism and robbery are not uncommon in the suburbs; neither is violence towards the police and the security guards. Frustration, alienation, isolation and poverty corrode the asphalt surface of the multicultured society, otherwise relatively harmonious.

Juha is 38 years old and has three small children and a depressed wife. He sees himself as strong and believes a man should provide for his family. But one day Juha is fired from his job. Ashamed, he weaves a web of lies to hide the fact from his family. With the help of his friend Olli, Juha begins prostituting himself to support his wife and children. With this he makes in two hours what it took him two days to earn before. The shame and deception mushroom, but the pay from the new profession seems to offset the downside.

Hanna teams up with her sister and counterculture friends to create a parody romance on Instagram between herself and young actor Ekku. Hanna starts living a crowd-pleasing love story for the public, only to find herself tangled up in the unresolved past with her “you were never my boyfriend” friend Lasse, who also happens to be the real-life co-writer and cinematographer of Fucking with Nobody. Fiction and auto-fiction crash and melt into each other, as writer-director Hannaleena Hauru plays the lead role of an ever-single film director Hanna.