Matthew Ip Shaw

Lucille comes of age in the rebellious, sexually liberated 1970's. Determined to take advantage of the new freedom offered by The Pill, she explores and experiments with women and men, straight and gay, at home and abroad. Lucille is devoted to being a musician, but her sexual abandonment and haunting past threaten to destroy her. Teddy, a music producer, responds to her appeal for help. He insists that she behave like a professional, and he helps her put together a stronger band. She recruits sax player Hank the Hunk to her band, and they fall in love. Lucille is ready to have a baby, but Hank sits on the fence.

At a masquerade theatre, Beatrice and Benedict, plagued by a past romance and a predatory co-star, navigate blurred lines as their director schemes to trick them into rediscovering love on stage.

Twenty-four-year-old Kara Zor-El, who was taken in by the Danvers family when she was 13 after being sent away from Krypton, must learn to embrace her powers after previously hiding them. The Danvers teach her to be careful with her powers, until she has to reveal them during an unexpected disaster, setting her on her journey of heroism.

In a small Michigan town where the business of incarceration is the only thriving industry, the McClusky family are the power brokers between the police, criminals, inmates, prison guards and politicians in a city completely dependent on prisons and the prisoners they contain.