Burcu Salihoğlu

Ayşe returns to her hometown in northeastern Turkey to nurse her gravely ill mother. Before she dies, Ayse’s mother tells her that she will leave Ayse her much loved bee hives to manage. Ayse’s modern life has moved her away from the mountains of her childhood – a life in which the bees and their honey were central. But she puts her city life on hold to manage the bees, which provide a distraction from her grief. Ayse slowly starts to work with the local bee keeper to manage the hives but finds the lessons of her childhood are buried deep and the hives are more difficult to manage than she remembers. Ayse’s failure to pay needful attention to local advice sees her mothers bee hives seriously damaged, if not lost forever. What’s more a Caucasian bear becomes a real threat to her hives and her life.

Erdem Kuş, a law professor who recently lost his job, falls into the hands of phone scammers who introduced themselves as a judge, prosecutor, or police chief. Erdem, who goes after the gang that defrauded him, finds himself in a tragicomic adventure he never expected.

Seven years ago, Celil, the only son of the family, was returning from military service. There was a flurry of excitement at home. Celil's sister Delal had married Nazif and given birth to a baby girl. The family welcomed Celil with excitement. The very next day, during a picnic, Delal noticed that her brother was attracted to the neighbor's daughter. She takes the young Heda with them and sends her out of the area. Her intention is to facilitate their conversation and understanding. However, while Celil and the young girl are walking, they step on a mine and lose their lives. Over time, Delal cannot bear the guilt and commits suicide. Seven years later, Heda has married her sister's husband and is raising their daughter. She is also pregnant. The family believes the baby will be a boy. However, Nazif is neglecting his wife and spending his nights with his lover, Defne. Meanwhile, Heda's mother, Cemile, is struggling with a crisis that no one else can see.

Kayla and Meriç seeks to find love inbetween purposeless teenagers who wants to fight Meriç without any reason.

A film director, disillusioned with the state of the world, decides to intervene in life itself by making a movie. He mortgages his family’s land and country house - not because his goal is to shoot a film, but to create a brand‐new model of production and, above all, a new ethics of creation. He publishes an impassioned manifesto calling on young people to join him, and soon the country house overflows with hopeful applicants who, inspired by his words, seek not just a job but the thrilling adventure of filmmaking and a chance at a new life.