Vladimir Shabelnikov

1919, Solnechnomorsk. Talented adventurers have become too unexpected: now they are wanted by the Russian and Turkish police. They go to the south of Russia to take possession of the golden scepter of Count Rumyantsev. In pursuit of a precious little thing, terrorists, circus performers and even participating ladies can dress up as them. Meanwhile, Ostap’s mother is approaching the paws of the gloomy Satanist Crowley, in whose treasury, by a mysterious coincidence, there is also a scepter ...

Petersburg. A Selfie comprises seven novellas about the beautiful city of St. Petersburg, Russia, shot by female directors. The film tells a story of a real, living and breathing city, rather than a mythical phantasm. Each novella tells its own story about love and loneliness, luck and hope.

A 15-year old Vika has to grow up. Only yesterday she was just a teenager and now she’s a mom. Catching sidelong scowls of adults, being mocked by peers, unbearable responsibility – it seems like the entire world is against her and Vika is all by herself. More truly, she has a child now, she’s not all alone.

Sailor, Tillage and Salazhonok. They met only once, in the summer of 1945, in the Far East, in arms and with serious intentions. Everything ended in a firefight, and each of the participants is sure that he killed the other two. However, fate gave them all a long, eventful life. It will take more than half a century and in one of the days in different parts of the Earth there will be events associated with that fateful meeting of the summer of 1945, and the viewer will learn how she has drastically changed the life of each hero and not only.

Russian scientists have created an android policeman. Perfect in all respects, Captain Anna Nikolaevna Korolkevich goes to serve in a provincial city to see real life and become a human. Colleagues think that Anna Nikolaevna is the daughter of the deputy minister, and nothing portends trouble until humanization goes too far.