Pierre Marquille

Nicky, an accomplished con artist, gets romantically involved with his disciple Jess but later ends their relationship. Years later, she returns as a femme fatale to spoil his plans.

Andrea, in search of her biological family, feels stalked by an invisible threat. Other women before them have suffered the same fate. Twenty years earlier, on the other side of the world, Camille, fascinated by Marie, tries to warn her of a threat hanging over her.

A small town in an Argentinian province, 1975. The life of Claudio, a successful lawyer, gets complicated when he has a stupid quarrel with a stranger in a crowded restaurant.

In the revolted 70's in Argentina, teenage Graciela is an artist and a poet. She and Julio, a charismatic student leader, are brought together by their ideals for social justice. Her poems reach young musician Flecha, who dreams of singing them for a roaring crowd. As the times grow harder and more dangerous, friends are persecuted, Graciela and Julio protect each other, but the dictatorship kidnaps them. Graciela's mother desperate search for her daughter brings her together with the Mothers of the Plaza de Mayo, who's relentless clamor for their missing children is only met with more terror and death from the bloody dictatorship. 35 years later, that mother publishes a book of Graciela's poems, and brings it to Flecha, now an accomplished musician. He turns them into songs that let her words live and fly.

French actress Maria Falconetti (1892-1946) traveled a winding road from her glory days in luminous Paris, in the 1920s, to her last days in Buenos Aires, in the late 1940s. In her strange journey through life, she found a very special character, the center of a tragic story and the obsession of a peculiar filmmaker: a unique opportunity, a sublime performance, so remarkable that nothing would ever be the same for her again…