Ján Venéni

Slovakia, on the eve of the outbreak of World War II. The family of the young Jewish Martin Friedmann gathers to celebrate his bar mitzvah and make a solemn promise that they will all meet again a year later around the same table; but the storms of war and anti-Semitic fanaticism will lead each of them down very different paths.

A tragicomic tale of the wondrous adventures of two medieval Sitnian knights who venture into the twentieth century with the intent to banish the devil and set the world to rights.

A group of drivers paid according to their performance are struggling with hard work in a large quarry, somewhere where foxes say good night. A new worker, Marek Orban, joins the team of foreman Peter Hotka, known as Maco. Deep down, he is a deeply moral person, although he was given a suspended sentence for bodily harm. He beat up his wife's lover, to whom he must also pay compensation. Marek hides this from the other members of the group because he is ashamed. Maco, out of friendship with Marko, attributes non-existent trucks to the group, which, of course, backfires. However, the team eventually shows its strength and works off the undeserved reward.

In a home proudly named Silverville, where natural death is a frequent, if unwelcome, guest, one morning one of the residents is found seriously injured. The director, who sweeps inconveniences and shortcuts in the functioning of the private facility under the carpet, does the same this time and conceals the incident from the police. However, the investigation starts unofficially and covertly: it is taken up by a former judge who is eager to track down the perpetrator on his own. The three story lines bring a succession of surprising revelations, playing out a range of human destinies, relationships, desires, passions, all concentrated in a single place, and the actual tracking down of the perpetrator is only the final brushstroke in the painting of human existence in its last phase, which awaits each of us.