Ng Wing-Sze

In the Qin Dynasty, time-traveller Hong Siu-lung has lived in seclusion with his family for twenty years. Yet every step he takes remains under the watchful eye of his former disciple, now the Qin Emperor. On the brink of ultimate power after conquering the six warring states, the emperor is suddenly ambushed by a mysterious team wielding advanced weapons clearly originating from Hong’s time. Drawn together by fate again, Hong and Qin Emperor are forced to confront the long-buried conflict between them, because the future now depends on how they settle their past.

A hostage situation occurred at a TV station. The kidnapper K was not after money, he just wanted to terminate the monthly subscription to the TV station.

A seven-part anthology film exploring the history of Hong Kong from the 1940s to present day.

Belief in our own blessings can bring us good fortune, but what is true fortune? Fortune and misfortune, love and hate, what is their ultimate definitions? One family, three couples, three weddings. After they decided to move on, what further challenges await them? Marriage isn’t just about two individuals; it involves a whole family of aunts, uncles, and cousins.

A fortune teller fails to help a prostitute who is facing a deadly calamity. When he meets a young boss of a tea restaurant, he predicts that his bloodthirsty tendencies will lead him to a prison sentence for murder.

A dining mishap caused a rift between Ji and Rui, leading to a cycle of revenge. Their already troubled lives only came together to fall apart.

Heung Wing has been sensitive to paranormal activity and keeps seeing ghosts since he was a kid. One day, Heung Wing receives news that his mother is in coma after committing suicide, which forces him to return to the old home. Everything seems strange and weird.

Three short films about the hidden horrors that lurk behind the urban landscape of Hong Kong.

In one of his finest dramatic performances yet, Louis Koo stars as a veteran ambulanceman who simply wants to do his job without any interference from his boss. While he considers emigrating with his daughter, he clashes with his new partner, a young go-getter on the fast-track up the bureaucratic ladder. A mature directorial effort by Cheuk Wan-chi, this dramedy about Hong Kong’s civil service culture and the latest emigration wave is a charming, yet sobering love letter to her city and its people, especially those who still remain.

Youth is always full of confusion, electronic gaming may be a way to achieve hero's dream. This is a story of six passionate girls fighting hard in the gaming world, hoping to break the social stereotype. Yet this is more difficult than it seems, with all the unknown challenges ahead.

When the Grande Hotel suddenly detected a suspected Covid case, the epidemic prevention center ordered a total blockade. All guests staying in the hotel must accept mandatory quarantine for 14 days. Everyone is isolated in the hotel, and the relationship between people is getting closer unconsciously. Everyone has lived through difficult times together, and learned to cherish what may be the last time to get along with each other.

Owen, a once prestigious and acclaimed stage director, has fallen into depression after more than a decade of creative drought. His ex-lover Su Manling comes back into his life leveraging their old romance, whereas his wife Tracy hovers on the verge of crossing the marital line. Eager to reclaim his dignity, he resolves to write, direct and perform in a brand-new play. However, while holding open auditions for the leading actress, he is powerfully drawn to amateur newcomer Hannah, slowly slipping into a dangerous grey area where stage drama intertwines with real life.

Teenager Kiki runs away from home, angry at her mother Jane's profession as a back-street abortionist. For her daughter's sake, Jane retires and finds religion, repenting her sins. Months later, Kiki faints on the street and wakes up in hospital with Jane by her side. The last hope for Kiki is that Jane can return to her former profession...

In order to fulfill the expectation of her mom and her grandpa, Nam is raised as a boy since she was born. She dresses like a boy every day before going to school, gets changed back to a girl’s uniform, and puts on a boy’s outfit before heading home. Her hysterical mom anticipates the return of her husband, which is a dream never come true. Nam finds her only shelter at her childhood friend Yeung’s house, a place where she can finally be herself, i.e. doing laundry for her underwear. But her life changes on the day when Yeung disappears.

An overwhelming pro-democracy movement in Hong Kong (also described as the Occupy Movement or the Umbrella Revolution in the region) in 2014 has devastated many families in the city. A veteran journalist father, a policeman son and an activist daughter are living in a torn society of Hong Kong. The trios in the Suen family are caught off-guard by the teasing of Moerae, or the Goddess of Destiny. In philately, "tête-bêche", or head-to-tail in English, is used to referred to a pair of generic stamps which is inverted in relation to one another, either through a printing error or intentionally. The stamps are of special value only when they are unseparated. Metaphorically, "tête-bêche" can precisely reflected the portrayed family's tricky situation, that different role-plays or value judgments can lead to sparkling tension among family members, yet somehow the old saying of "blood is thicker than water" prevails.

In Macau, where modernity meets tradition, four lives intertwine. Art curator Chen Jiahui seeks inspiration, race car driver Han Junhao chases redemption, and career-driven Mai Youge questions her path after meeting the enigmatic Xu Junle. Amid the city’s charm, they each embark on journeys of self-discovery.

A lawyer named Yau Yum-yum finds herself in the underworld, where she is authorized by the King of Hell to become the "Underworld Advocate," traversing both realms to defend ghosts in court while simultaneously investigating her own murder.